Posts Tagged ‘Toronto’

Winter Saturday and Tuesday Watercolour Classes – Week Two!

07/02/2018

I had to do the dishes before setting up a still-life for the Saturday and Tuesday classes at Arts on Adrian this week. Wait a minute! Those dishes are the still-life. Do you think this is an unorthodox subject? It may be, but the students really enjoyed it.

My demonstrations were much more about drawing than watercolour painting. That’s because of all of those tricky ellipses. An ellipse is a circle in perspective and there are several good guidelines about drawing them. Ellipse theory! Like other elements of perspective, a little bit of information can go a long way. Conversely, too much theory can lead to confusion and frustration. I tried to strike a balance in order to help the students with the challenge.

I threw a small wrench into the works. As if drawing ellipses isn’t tough enough. I gave everyone a copy of a photo of a typical kitchen sink. My hope was that some of the visual elements would give them ideas for the ‘backgrounds’ of their paintings.

The Saturday students used their full day well and several employed the kitchen sink photo to enhance their paintings overall. Have a look at their work and click on any critique image to see a larger version.

Sustained Saturday Critique

We don’t have a backdrop behind the still-life in the studio. It’s in the centre of the room and students sit all around it. I photograph the still-life for these posts with a fabric behind it and I enjoy seeing how the different colours work with the objects. The dark blue shown above is effective. What do you think of the green? Both the blue and green are colours that are already present in the still-life objects.

The Tuesday classes got a slightly abbreviated version of the Saturday demonstration. Many of them work a bit smaller and place less objects in their compositions. It’s a practical solution as they have only an afternoon or evening to complete their paintings. Here’s the work from Tuesday. My next round of classes at Arts on Adrian in Toronto are a few weeks away. Check out my Winter Studio Calendar and think about joining us.

Tuesday Afternoon Critique

Tuesday Evening Critique

 

 

 

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Winter Saturday and Tuesday Watercolour Classes – Week One!

17/01/2018

Last Saturday was our first watercolour class of the new year at the Arts on Adrian studio in Toronto. I have quite a collection of bottles and, no, they weren’t all recently emptied at New Year’s Eve parties. I enjoy painting bottles and the students responded to them with real energy and enthusiasm.

As usual, I started off with a demonstration. That yellowish rectangle on the left side of the sheet was a suggestion for a wet-in-wet preliminary wash. I wet the area with water and touched in some yellow and raw sienna quite randomly. A wash like this can add atmosphere to the painting and harmonize the colours. Many of the Saturday students gave it a try.

I discussed a ‘light to dark’ and ‘big to small’ approach. In general, the first wash on a bottle covered the entire area except for a few reserved paper-white highlights. It’s like a silhouette. I like to touch other colours and values into this first wash and let them run. Next, I add middle-tone shapes to give the bottle structure and presented some brush-handling techniques to help with this process. Finally, I add the darkest (and smallest) marks to bring the bottle to life.

The students got to work. Most of them do a thumbnail study to better understand the objects and relationshiops and to  sort out their compositions.  As I patrolled the room, I notice George at work.

Hmmmm! Was that part of the still-life displayed on his camera? Let’s take a closer look.

So it was! I investigated. George was not drawing from the camera screen. He was observing the still-life with care. However, following a good look at the still-life, he photographed and enlarged an area that interested him. He then pursued his usual and traditional process and completed his thumbnail sketch from observation. Cameras, phones and iPads have made their way into studio and ‘en plein air’ practice for some time now. I approve of the way George balanced the old and the new.

If you’ve never attended a Sustained Saturday, why don’t you consider joining us soon? It’s a very vibrant day of creativity in excellent and supportive company. Here’s what they did with the bottles. Click on any critique image for a larger version.

Sustained Saturday Critique

This is another view of the bottle still-life with a different backdrop colour.

My demonstrations for the Tuesday classes dealt with the same ideas. I did develop a transparency a bit more and you can see it on the right side of the sheet where I’ve attempted to show the wooden box through the green bottle.

The Tuesday students applied themselves to the task with zeal. Remember that they have much less time to work on their paintings than their Saturday counterparts but come up with some very solid results.

There’s still a spot for you in an upcoming Tuesday or Saturday class. Check out my Winter Studio Calendar!

Tuesday Afternoon Critique

Tuesday Evening Critique

Winter Studio Watercolour Classes!

01/01/2018

Happy New Year, everyone! It’s time to start thinking about creative pursuits to warm the soul over the cold months ahead. I’ll be teaching studio watercolour classes at two venues.

ARTS ON ADRIAN
My winter calendar for classes at Arts on Adrian, in the west end of Toronto, can be viewed by clicking here. You’ll also see it under the Pages menu in the sidebar. Classes are offered on three Tuesday afternoons, three Tuesday evenings and three Saturdays (all day). Please, use the Contact form below to register.

DUNDAS VALLEY SCHOOL OF ART
I’ll be teaching a watercolour studio class at the Dundas Valley School of Art in Dundas, Ontario. Registration is done through DVSA. The details below are from the school website.

3A32 *NEW* Watercolour: Concept and Technique with Barry Coombs
17 Jan – 7 Mar, 2018 from 6:30 pm to 9:30 pm

This watercolour course is based on traditional observation of the still-life. A new and attractive still life will be presented every week. You’ll learn to observe and understand value and develop your watercolour skills and ideas. Drawing and composition will also be emphasized. Demonstrations and constructive critiques are a feature of every class. Not suitable for beginners. Wednesdays. Course Fee: $269 Limit: 15 students

Saturday and Tuesday Fall Watercolour Classes – Week Three!

08/11/2017

I was very excited about this still-life of old teapots and clementines. I knew it would be a challenge for the students but I was confident that they would be up for it. I took a while demonstrating for the Saturday group. Mixing greys was one topic. Reflections were discussed and I also reviewed some brush-handling skills.

The students always work hard in the classes but they enjoy each other’s company, as well. A real community has developed over the years. It’s welcoming to new students and they’re all very supportive of each other. On Saturday afternoon, a small surprise party erupted. Trish had recently been married to her long-time partner, Jacques (they met during one of my Grand Manan Island workshops). She didn’t expect an extra celebration but she got one! She’s wearing a tiara provided by Karen and Stewart is pouring the Prosecco.

Back to work, everybody! It was a great day. I don’t know if the Prosecco stimulated the creative process or not but the work was excellent. Remember to click on the critique image if you want to see a larger version.

Sustained Saturday Critique

Here’s a different look at the still-life. Dramatic, isn’t it?

My demonstrations for the Tuesday afternoon and evening classes were very similar to the one on Saturday. I tried to condense it somewhat as they have less time to paint.

I’m really pleased with the response to the still-life. The students really relish new drawing and painting problems and the Tuesday classes were no exception. Here’s what they did.

Tuesday Afternoon Critique

Tuesday Evening Critique

Saturday and Tuesday Watercolour Classes – Week Three!

25/10/2017

You know it’s October at Arts on Adrian when the still-life is composed of squash and gourds. Last Saturday, our fall motif got the creative juices flowing for an enthusiastic bunch of artists. As usual, I started things off with a demonstration. I discussed a few ideas but mostly I stressed luminous lights with this watercolour sketch.

Process was also emphasized and that includes everything from warmup and thumbnail sketches to colour testing and frequently stepping back from your painting. The Saturday students have a whole day to paint and shouldn’t be taking any shortcuts! They applied themselves and the results were very impressive.

Sustained Saturday Critique

Here’s another point of view of our still-life. It’s interesting to see how a different background colour can influence the image.

I have two classes on Tuesdays; afternoon and evening. I managed the demonstrations as a sort of Q and A session. This work sheet shows my responses to some of the questions.

That might be one of the gnarliest gourds I’ve ever painted (the green and orange one). However, it got the point across and that’s the goal of a demonstration. The Tuesday groups responded very well, as always. I’ll be back at Arts on Adrian in Toronto’s Junction district soon. Care to join us? Click here for my Fall Calendar.

Tuesday Afternoon Critique

Tuesday Evening Critique

 

 

Saturday and Tuesday Fall Watercolour Classes – Week One!

11/10/2017

It’s ‘back to school’ at the Arts on Adrian studio in Toronto, Ontario. Fall term started a few weeks later than usual as I was off teaching in Portugal for the second half of September. Last Saturday, it was time for some still-life painting. I kicked the season off with a demonstration that emphasized a few basics.

This is a watercolour sketch. It can serve as a warmup painting before settling into something more sustained. Adding an approach like this to your practice can bring many benefits. Finding the light. I’ve left the direct light unpainted in this study; indicated by the white of the paper. Simplification. I’ve paid no attention to reflected light, for example. I want to capture the essence of the still-life. Brush-handling. I lightly ‘placed’ the objects on my sheet with a very minimal pencil drawing. I wanted the brush to do most of the work. I wasn’t concerned about perfect proportions or symmetry. Freshness. I painted each area once only. Nothing was overpainted.

It was good to see everyone and we had a pleasant and creative day in the studio. Here are the results from our Sustained Saturday.

Sustained Saturday Critique

I varied the still-life slightly for the Tuesday classes and used three different kinds of pears; Bartletts, Boscs and Anjous.

My demonstration addressed the same concepts. The afternoon demo is on the left and the evening on the right of the sheet.

Not everyone was able to simplify to the degree that I had in my demonstration but some very nice work was created. Our first week of fall term went very well and I’ll be back at Arts on Adrian soon. Stay tuned.

Tuesday Afternoon Critique

Tuesday Evening Critique

Recent Paintings at Propeller Gallery – It’s a Wrap!

03/07/2017

My exhibition of recent paintings at Propeller Gallery in Toronto ended yesterday. Thanks go to Nathan and everyone else at Propeller who made things easy. An artist feels support in many ways. Not everyone, of course, is able to make a purchase. Artists understand that but really appreciate a good turnout. My thanks go to all of you who attended the opening reception or visited the show at another time. It was Canada Day weekend and I know it took a special effort from many of you.

I received compliments from many of you and every word is valued. I was particularly pleased to receive the very positive feedback from my creative peers. Those words are priceless.

I’ve added a few installation shots to this post. If you’d like to read my artist statement and view all of the work from the exhibition, click here or on the Propeller page under the Pages menu in the sidebar on the right.

Plein Air Toronto 2017 – Last Two Days!

28/06/2017

Click on our First Three Days if you somehow missed the last post. Day four of Plein Air Toronto 2017 was Thursday of last week and the weather, which had been tricky all week, took a turn for the worst. I made arrangements for us to sketch in pen and ink all day long and without any concerns about rain. The catch was that our plein air artists were going indoors for the day. We met in the morning at the Gardiner Museum, which is dedicated to historic and contemporary ceramic art.

It’s a beautiful museum but it’s difficult to gather the entire group at once for a demonstration or critique. I handed out a prepared sheet showing basic pen techniques in the morning. Later, I gathered a small group of pen and ink novices and sketched a Pre-Columbian figure as I discussed my thoughts.

It was a great day and don’t forget the excellent restaurant when you visit the Gardiner. Friday was yet another challenging weather day. However, I don’t have almost thirty years of experience for nothing. We met at University College on the lovely downtown campus of the University of Toronto.

The College has a large interior courtyard surrounded, on two sides, by wide colonnades. We were high and dry and had plenty of subject matter through the arches. Even the arches themselves attracted the eye of our artists.

I brought in some examples of pen and watercolour studies, done on the U of T campus, to get the morning started. As the group worked, I began a watercolour of my own for a change. Several of the new students expressed interest in my approach and process. I began with a sketch to resolve a composition and then drew it up on a sheet of watercolour paper.

  

I wasn’t able to finish the piece by the end of the day as I had teaching responsibilities. I pulled it together later in my studio.

Enough about me! Let’s have a look at our day at University College.

Eventually, it was time for our last critique of the week. The skies cleared just enough and we gathered one more time. What a great group! I thank them all for their cheerful participation and also thank you for following, commenting and liking the posts. Plein Air Toronto will be back next year. Now, for a look at the work from Friday.

University College
Critique a

University College
Critique b

Plein Air Toronto 2017 – First Three Days!

26/06/2017

One week ago, the 2017 Plein Air Toronto participants gathered at the Arts on Adrian studio in the west end. We introduced ourselves and I gave a demonstration that considered several common elements of the urban landscape we’d be painting for the next five days. We also discussed colour; green, in particular.

Following our meeting, we headed down to the Sunnyside Pavilion which is on the beach of Lake Ontario.

The Pavilion is a lovely place to sketch and paint, inside and out.

We put in a good day’s work and met inside the Pavilion for our first critique of the week. Click on an image for a larger version.

Sunnyside Pavilion
Critique a

Sunnyside Pavilion
Critique b

We met onsite at Riverdale Farm on Tuesday morning. It was a blustery day with a few showers but there was ample overhead shelter for us. This urban farm is bordered by a park on one side and a historic cemetery and chapel on the other. There’s lots of great subject matter to choose from including the charming cafe across the street.

I had prepared a demonstration ahead of time. My subject was the cafe and my painting was a value study in cool greys. I discussed my process and the importance of developing an eye for value.

Colour can be added to a study like this by gently ‘glazing’ washes over the appropriate areas. The grey washes should be completely dry before proceeding.

The group wandered around a bit to find their spots and then settled in. I kept a few of the newer folks back to talk about basic drawing and the use of a measuring stick to assist with perspective and proportion. I’ve developed a Drawing Checklist over the years and it can be very useful.

The little bit of rain didn’t deter us. It was a very productive day and we found a private and quiet spot for our critique.

Riverdale Farm
Critique a

Riverdale Farm
Critique b

Wednesday promised to be a day of sunshine and we chose historic Spadina House as our location. We met in the parkette between Spadina House and Casa Loma for my demonstration. I used an approach I call shape-reading, direct painting without any preliminary pencil drawing. Challenging but fun and very instructive. As I painted, I chatted about my thoughts and decisions.

We made the most of our sunny weather and gorgeous painting site.

It was a beautiful day and the paintings were equally lovely. Stay tuned for our final two days of Plein Air Toronto 2017. Coming soon!

Spadina House
Critique a

Spadina House
Critique b

 

 

RECENT PAINTINGS by Barry Coombs at Propeller Gallery

24/06/2017

You are cordially invited to a solo exhibition of recent paintings by BARRY COOMBS in the North Gallery of PROPELLER GALLERY. The exhibition will run from June 28 – July 2, 2017.

The Opening Reception will take place on Thursday, June 29 from 6:30 – 9pm.

The exhibition will be open from Wednesday to Saturday from 12 – 6pm and on Sunday from 12 – 5pm.

PROPELLER GALLERY
30 Abell Street (near Queen West and Gladstone) in Toronto, Ontario M6J 0A9
416-504-7142 / propellerctr.com