Fall Studio Calendar 2016

23/08/2016

STUDIO CLASSES
Learn Traditionally; Paint Creatively
Barry Coombs will be offering weekday and weekend classes at Arts on Adrian in the fall of 2016. Classes are limited to twelve students, unless otherwise noted. Material lists are provided upon registration. Demonstrations, individual attention and constructive critiques are employed in all classes. The studio is accessible by transit and free parking is available. The studio is on the second floor and is not wheelchair-accessible.
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Please, note that the studio is solvent and scent-free!

ARTS ON ADRIAN
#224 – 15 Adrian Avenue
Toronto, Ontario
M6N 5G4

Click here to view demonstrations from Barry’s classes and workshops.
Click here for directions.

STILL LIFE (WATERCOLOUR +)
This is an intermediate level course. It includes instruction in watercolour technique, drawing concepts, colour and composition. Masters of the medium, historic and contemporary, are examined. Personal development is stressed. This course is also suitable for students wishing to work in pencil, pen and ink or pen and wash.
Pre-requisite: a beginner watercolour course or equivalent experience.

Students are not required to enroll for all of the classes in a term. Individual classes may be selected but please read the registration information below. Enrolment is guaranteed only when your cheque or etransfer is received.

TUESDAY AFTERNOONS
September 20, 12 – 3pm, $45 (includes HST)
October 18, 12 – 3pm, $45 (includes HST)
November 8, 12 – 3pm, $45 (includes HST)
November 29, 12 – 3pm, $45 (includes HST)

TUESDAY EVENINGS
September 20, 6:30 – 9:30, pm, $45 (includes HST)
October 18, 6:30 – 9:30, pm, $45 (includes HST)
November 8, 6:30 – 9:30, pm, $45 (includes HST)
November 29, 6:30 – 9:30, pm, $45 (includes HST)

SUSTAINED SATURDAYS – One Day
Students work from the still-life in watercolour, pencil, pen and ink or any combination of these media. Watercolour painters may use a maximum size of 15 x 22″ (half sheet). This is an opportunity to work at a comfortable pace and develop a sustained image.
Pre-requisite: a beginner course or equivalent experience in watercolour, pen and ink or drawing.

Saturday, September 17, 11am – 5pm, $95 (includes HST)
Saturday, October 15, 11am – 5pm, $95 (includes HST)
Saturday, November 5, 11am – 5pm, $95 (includes HST)
Saturday, November 26, 11am – 5pm, $95 (includes HST)

HOW TO REGISTER
To confirm a place in a class, please email Barry at info@barrycoombs.ca. Registrations are first-come, first-serve. Enrolment is guaranteed only when your cheque or etransfer is received.

CANCELLATION POLICY
You will receive a full refund if you notify me of your cancellation more than 36 hours before any class or workshop. If you give me less than 36 hours notice, I will not refund the fee unless I can fill the spot from the waiting list.

Grand Manan Island – Final Day!

05/08/2016

One week ago this morning we met at our studio to start the final day of my annual sketching and watercolour painting workshop on Grand Manan Island. As usual, I began with a lesson/demonstration.

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Watercolour demonstration sheet by Barry Coombs

I don’t follow a course outline for any of my workshops. Also, I don’t teach just my ‘style’ although I do present elements of it, if and when appropriate or upon request. I teach fundamentals and principles; techniques and concepts.

Friday morning was foggy. I showed an approach to fog. I also responded to what I had seen of the student’s work the previous day at Dark Harbour. One more thing! I talked about colour and contrast and how they can be used to create a focal point. As soon as I was done, we were off to Fisherman’s Haven Lane in Ingall’s Head.

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What a week! A little bit of fog and a few tentative drops of rain as we packed up to head back for critique. Other than that, we enjoyed almost 100% sunshine. Friday was a busy day, overall. We looked at the work from the day. Then, we dispersed to our accommodations to prepare for our Farewell Dinner at the Marathon Inn. Steak or lobster? The big event followed dinner. It was time for our Final Critique; a summary of our week together. And, of course, our group photo taken by the generous and talented David Ogilvie.

It was a great evening and the perfect way to wrap up our week. I’ll be back next year from Sunday, July 30 – Friday, August 4. Details will be posted soon on this blog. Thanks for following, liking and commenting and don’t leave before taking a peek at our group photo and the work from Ingall’s Head!

Friday Critique a

Friday Critique a

Friday Critique b

Friday Critique b

Grand Manan 2016 Courtesy: David Ogilvie

Grand Manan 2016
Courtesy: David Ogilvie

Grand Manan Island 2016 – Wednesday and Thursday!

03/08/2016

We started at the studio again last Wednesday morning. I had prepared a demonstration on Tuesday at Woodward’s Cove and photographed the first three steps, which I showed on my computer screen.

Step One

Step One

You can probably see the faint pencil lines under the washes in Step One. The washes have been applied in two ways. In some, such as the boat hull, I painted the shape with water and added the colour to the upper area while wet. In the roof, I painted a light grey wash and added the darker grey while wet.

Step Two

Step Two

I continued with the same process and added more shapes. Washes were allowed to dry before adding new ones.

Step Three

Step Three

All of the big shapes are in place. I’ve left the white of the paper in a few areas because I’m about to add flowers in Step Four.

Step Four

Step Four

Overall, I’ve used a ‘light to dark’ and ‘big to small’ approach. As mentioned, I wanted to paint the flowers over clean white paper. The yellows and pinks would lose their intensity if there was a grey or greenish wash underneath. This painting isn’t finished but it’s as far as I took it on Wednesday morning. It was time to hit the road for Seal Cove!

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The old herring smokesheds and piers of Seal Cove provide endless subject matter for our artists. It’s a magical place. Everyone settled in. It was another sunny day so shady spots were sought out.

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Britta at work

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It’s always nice to wind up the day at our studio. We’d all had enough sun and, of course, it’s easy to tape the work up on the wall. Here they are; the sketches and paintings from Seal Cove.

Wednesday Critique a

Wednesday Critique a

Wednesday Critique b

Wednesday Critique b

You guessed it! We met at our studio again on Thursday morning. A few days earlier, I’d made a small watercolour study in North Head Harbour. I wanted to add pen to it and this was my opportunity.

Step One

Step One

I discussed the basic pen techniques; hatching, cross-hatching, stippling and line variety. I love working with pen and wash and I try to present my thoughts at least once during all of the ‘en plein air’ workshops I teach.

Step Two of pen and watercolour demonstration by Barry Coombs

Step Two

Our painting spot for Thursday was Dark Harbour, surrounded by towering cliffs, on the west side of the island. The small harbour is used mostly by those who collect dulse, an edible seaweed, and dories are their workhorses.

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The critique is a very important part of the painting day. I make my comments and I try to be positive and encouraging. The students get my feedback and also learn a lot from each other. It’s an enjoyable and educational aspect of the workshop.

One more day to go! As always, thanks for following, liking and commenting. While I prepared this post, my blog received it’s 171,000th view and I appreciate them all.

Thursday Critique a

Thursday Critique a

Thursday Critique b

Thursday Critique b

 

Grand Manan Island 2016 – First Two Days!

01/08/2016

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Last Monday morning, the participants in my 2016 sketching and watercolour painting workshop on Grand Manan Island gathered at our studio in North Head. We had all met each other the evening before at the Marathon Inn, where we enjoyed our delicious Welcome Dinner.

I kicked off our week with a discussion/demonstration and my theme was skies and water. It’s a broad subject! I presented a few relevant techniques and emphasized some basic principles and processes. In addition to that, I gave a lesson on drawing basics to the new students. Perspective and the use of a measuring stick were the main topics. The students dispersed to paint and draw in the village of North Head. Over the course of the day, I visited the artists and offered feedback.

Watercolour demonstrations by Barry Coombs

Stewart and Karen at work

Kathleen and Marlene at workMon-bDave at work

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Lauren at work

At the end of the day, we re-grouped at our studio for our first critique. Our week was off to a great start!

Monday Critique a

Monday Critique a

Monday Critique b

Monday Critique b

We met at our studio again on Tuesday morning. I did something a little bit different and showed a selection of watercolours and drawings from the late Saint John artist Jack Humphrey. Here are two of his works from Grand Manan Island courtesy of the National Gallery of Canada. I’ve always enjoyed the simplification and spontaneity of his work.

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Village, Grand Manan by Jack Humphrey

Village, Grand Manan by Jack Humphrey

Village, Grand Manan by Jack Humphrey

Our venue was Woodward’s Cove. It’s quite a unique spot as the harbour completely drains of water at low tide and fills right up again at high tide. It was another sunny day so many of our painters sought out shade and some had even brought their own.

Artists at work

LIz at work

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Here’s the harbour at low tide.

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About six hours later, the harbour had filled up again. Shortly after, we returned to our studio to look at the day’s work. Thanks for following and stay tuned. There’s lots more to come from beautiful Grand Manan Island.

Tuesday Critique a

Tuesday Critique a

Tuesday Critique b

Tuesday Critique b

 

Art and Teaching in the Summer Heat!

07/07/2016

We’re having a heat wave in Hamilton, Ontario. And a drought. I’m trying to stay cool as I prepare for my upcoming workshop on Grand Manan Island. Enroute to Grand Manan this year, I’ll be stopping in the beautiful Miramichi region of New Brunswick to lead a one-day ‘en plein air’ workshop. This event, combined with a two-day Plein Air Paintout, is sponsored by Miramichi Art Core and will be a part of the Irish Festival.

I dropped by ART ETC Gallery Shop at the Art Gallery of Burlington today and was pleased to find several of my paintings displayed throughout the space. Also, I was shown some promotional material which features my work. I’ve exhibited at many galleries over the years and the staff at ART ETC are second to none when it comes to supporting their artists. Thanks, ART ETC!

All work is available for purchase or rental. Rental is a great idea as it gives a prospective art patron a chance to live with a painting for a while before making a decision. Drop by when you’re in the neighbourhood.

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I received a nice surprise in the mail the other day. It’s a certificate from the Dundas Valley School of Art. The school hosted a function for the faculty a few weeks ago but I was unable to attend. Otherwise, I would have been given this thoughtful acknowledgement at that time. I’ve taught at several institutions over many years and this is the first time anything like this has come my way. Thanks, DVSA.

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Plein Air Toronto – Last Two Days!

22/06/2016

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Two days to go in our week of sketching and painting in watercolour! Last Thursday, we met at Riverdale Farm and painted in and around the farm and the adjacent Toronto Necropolis, a park-like and tranquil cemetery.

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I gathered the gang in the Necropolis for a demonstration. We deal with a lot of visual information while painting ‘en plein air’. One of our most important tasks is to find and preserve the light in our subject. A value study is likely the best way to do so and, using a mixture of Cobalt Blue and Burnt Sienna, I created a study in four values. The lightest value in my study is the white of the paper. It’s followed by a light middle tone, a dark middle tone and ultimately, the dark. Even the more experienced students found it helpful.

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Watercolour demonstration by Barry Coombs

I even ended up with an unintentional goofy face on my house. Following the demonstration, I spent some time with the newer students and presented a refresher of some basic watercolour techniques. After that, my job was to find everyone. They’d set up throughout the farm, park and cemetery.

Katie at work

Emily at work

Only a few of the group focused on the farm animals as subjects but I can’t resist showing you a few of the Riverdale residents.

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Later on, we found a quiet, shady spot for our critique. Plans were made for Friday, our final day together.

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Thursday Critique a

Thursday Critique b

Thursday Critique b

On Friday, we visited Black Creek Pioneer Village, an extensive and wonderful historic site. The buildings and artifacts offer many attractive opportunities for the artists and there are animals, as well.

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I set up under a shade tree and demonstrated at my easel. I chose a complicated subject and tried to simplify it with a watercolour sketch. I talk as I paint and attempt to describe the process and the decisions I’m making as the image develops.

Watercolour demonstraton by Barry Coombs

As usual, the group spread out to find inspiration. On a big site like Pioneer Village, it’s easy to lose track of a few of the painters. I now employ modern technology and text missing painters in order to find them.

Friday was the hottest day of our week but there’s no shortage of comfortable, shady spots at the village.

Evelyn at work

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Eventually, it was time for our last critique of the week. I appreciate the energy, enthusiasm and talent the participants shared at all of our great painting sites. Was there improvement? I think so. Aside from my efforts, they learn from each other and the critique is a very important part of the process. Have a look at Friday’s work! Thanks for following and feel free to leave a comment. Next year, consider Toronto for an ‘en plein air’ painting experience. We’ve had participants from all over Canada and the USA, as well.

Friday Critique a

Friday Critique a

Friday Critique b

Friday Critique b

Friday Critique c

Friday Critique c

 

Plein Air Toronto 2016- Days Two and Three!

20/06/2016

Last Tuesday, we visited Kew Gardens and Beach in the east end of Toronto. It’s a lovely, shady spot with gardens, sporting facilities and lots to paint. One of the highlights is the Gardener’s House.

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I wanted to discuss some basic thoughts about foliage and it’s relationship to architecture. As you can see, I set up my easel in the beautiful sunshine. If you’ve ever attended one of my outdoor workshops, you’ll know that I don’t advise painting in the sun. It’s very hard to see what you’re doing and the watercolour dries more quickly than desired. In this case, I wanted the paint to dry quickly so I could illustrate my ideas without taking too much time.

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Watercolour demonstration by Barry Coombs

Watercolour demonstration by Barry Coombs

Following the demonstration, I joined some of the new students for a discussion of perspective and the use of a measuring stick. Familiarity with a measuring stick can help us understand the angles of buildings.

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We had a special guest on Tuesday. Jay Holobach is an artist from Nashville, Tennessee. He’s spending a lot of time in Toronto this summer and I thought I’d extend some good old Canadian hospitality and invite him to paint with us for the day. Jay works in oils and our watercolour painters enjoyed his company and his work.

Jay Holobach

Kim and Katie at work

Phil at work

Elizabeth at work

Speaking of things Canadian, what better spot for our critique than a hockey rink! Nice boards for taping our paintings and sketches and the sun on our backs. Several hundred puck marks set off the work to great advantage.

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Tuesday Critique a

Tuesday Critique a

Tuesday Critique b

Tuesday Critique b

We don’t often paint downtown but we did on Wednesday! The Roundhouse was our venue and it hosts the Toronto Railway Museum and Steam Whistle Brewery. Not only that; the Roger’s Centre (home of the MLB Blue Jays), the landmark CN Tower and the Ripley’s Aquarium surrounded us.

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I wanted to discuss pen combined with watercolour. Many of the regular students have seen my approach to pen and watercolour so I let them get to work. I gathered a smaller group of the new students and took them through the steps of a drawing of this building.

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Step one of pen and watercolour demonstration by Barry Coombs

Step One – pencil and wash

Step two of pen and watercolour demonstration by Barry Coombs

Step Two – Colour

Step Three - Pen

Step Three – Pen

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I photographed the steps on my iPad and showed them to the rest of the group as I did my rounds over the course of the day. In addition to that, I completed two more sketches with pen and watercolour.

Pen and watercolour demonstration by Barry Coombs

Pen and watercolour demonstration by Barry Coombs

There is no shortage of subject matter at the Roundhouse. The trains and buildings were very popular with our artists.

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We found another good critique spot at the end of the day. The Don Station building provided a convenient wall and lots of shade. After critique, we headed to a nearby restaurant for dinner and drinks and a chance to get to know each other. I hope you’re enjoying our Plein Air Toronto week. Look for my next post a few days from now.

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Wednesday Critique a

Wednesday Critique a

Wednesday Critique b

Wednesday Critique b

 

Plein Air Toronto 2016 – Day One!

18/06/2016

Last Monday morning, my annual Plein Air Toronto workshop, a week of sketching and painting in watercolour, began at the Arts on Adrian studio. I had a prepared a demonstration dealing with basic approaches to painting skies and clouds.

Studio Demo

Skies are always a challenge, especially in watercolour. I had painted a few sheets ahead of time and I completed one sheet while the students watched. By the way, the sky in the upper right corner is upside down!

Sky in watercolour demonstration by Barry Coombs

I also brought in a few books. We took a careful look at skies painted by some of the great English watercolour painters of the past as well as some by the American, Winslow Homer and Canadian artist, Frederick Hagan.

Here are some more sky studies I showed to the group. Some have been created with a soft edge (wet into wet) process and some are a combination of soft and crisp edges. Some were done in one step and others took two or three steps to complete.

Sky in watercolour demonstration by Barry Coombs  Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

It was time to head out of doors and the Sunnyside Pavilion on the shore of Lake Ontario was our destination. Upon arrival, we settled in for the rest of the day.

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Sarah at work  Evelyn at work

Barb at work

Marian at work

Ian, Wendy and Olwen at work

Emily at work

It was a great start to our week. At the end of the day, we gathered for our critique and discussed our plan for Tuesday. Stay tuned! Our activities from last Tuesday and Wednesday are coming soon.

Monday Critique a

Monday Critique a

Monday Critique b

Monday Critique b

 

 

Pen with Wash and Watercolour at DVSA – Drawing People

05/06/2016

Last Thursday, I taught the fourth and final workshop in a series at the Dundas Valley School of Art in Dundas, Ontario. Pen and ink and pen combined with monochromatic washes and watercolour were the media explored in these workshops. On Thursday, our goal was to learn a few ideas and approaches to drawing people.

I spent some time discussing the basic proportions of the figure and the head and provided some handouts to the students. Our first drawing was of a standing man and we all worked from a photograph. I reviewed my approach to drawing which includes a lot of light, planning lines. Then, I added a monochromatic wash, a mix of Burnt Sienna and Cobalt Blue. The wash was applied to all areas of the figure not receiving light. The light areas were left alone; the untouched white of the paper.

Step one of pen and wash demonstration by Barry Coombs

The pen adds detail and definition. It deepens the darker areas. We took a few steps to introduce the pen work to the image, starting with a quick review of the basic techniques.

Step two of pen and wash demonstraton by Barry Coombs

The students worked on their drawings for quite a while. No need to rush. Proportion, light and shadow, the clothing: there was a lot to consider!

Standing Man Critique

Standing Man Critique

Our next drawing was of a walking woman. We took a different approach. After the pencil drawing, the local colours were applied directly. The watercolour washes were allowed to dry before starting with the pen.

Pen and watercolour demonstration by Barry Coombs

Most of the students would have used another half hour or so to good advantage but time ran out. Finished works of art, however, were not the goal of the workshop. These were learning exercises and intended to introduce each participant to a few sound approaches to drawing people.

Walking Woman Critique

Walking Woman Critique

Thanks for following for the last month. I’ll be back at the DVSA next fall with a new series of workshops dedicated to pen, wash and watercolour. Have a look at their website for details.

Introduction to Pen with Wash and Watercolour at DVSA

27/05/2016

I was back at the Dundas Valley School of Art yesterday to teach the third workshop in a series of four. Our first two days focused solely on pen drawing and yesterday we added wash and watercolour to the mix.

Photo of drawing subject by Barry Coombs

Our first subject was two cardboard gardening containers. I provided this photograph to each student. I’d taken care to light the objects so that we could focus on values. After drawing the objects in pencil, we added a monochromatic (one colour) wash to the overall areas of shadow. When the wash was dry, we worked with our pens and added much more information about the forms.

Pen and watercolour demonstration by Barry Coombs

Our second exercise was particularly interesting. I gave each student a small figurine of a teddy bear. We talked about the drawing aspect of the exercise including proportion and light and shadow. This time, we didn’t have a photograph of well-lit teddy bears to work from. We decided on a light direction, upper left or right, and analyzed the forms of the bears and how they would receive the light. Our goal was to make the bears look three-dimensional.

Drawing lesson by Barry Coombs

We did this drawing in four steps. Sorry! I didn’t have time to photograph all of the steps. First: we drew the bears in pencil. Second: we painted a blue-grey middle value wash in the shadow areas of the bears and allowed it to dry. Third: we painted the local colours. For example, the green shirt and the blue overalls. Our final step was the pen. We used it to enhance the shadows and add texture and detail.

Pen and watercolour demonstration by Barry Coombs

My goal was to introduce the students to a few ideas about combining pen with wash and watercolour. My hope was that they take home a good experience and apply it to their own sketching and drawing. It was an enthusiastic group and we had lots of fun while working hard on the projects. Have a look at what they created below. Next week, I’ll be back at DVSA for the fourth and final workshop in the series; Pen with Wash and Watercolour – Drawing People!

Cardboard Pots Critique

Cardboard Pots Critique

Teddy Bears Critique

Teddy Bears Critique


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