Pen and Ink Studio at DVSA – Week Five!

12/02/2017

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Last Thursday afternoon was Pen and Ink Studio time at the Dundas Valley School of Art. I brought in my collection of milkweed pods. Natural forms are a very rewarding subject and the students enjoyed drawing them.

I showed a few different approaches to studying the milkweed. This is a demonstration from a past workshop. I started with a pencil drawing before adding a light wash of a sepia-like brown. When it dried, I added a second darker wash of the same colour. Once again, I waited for it to dry. The pen work was my final step.

Pen and wash demonstration by Barry Coombs

The next study is the one I worked on during the Thursday class. It was developed with local colour and then I explored it with the pen using mostly the technique of cross-hatching.

Pen and watercolour demonstration by Barry Coombs

Some of the students elected to use colour and others stuck with values of sepia. One of our students devoted the afternoon to her personal project and it’s coming along very nicely. I hope to post some of these projects soon!

Pen and Ink Studio Critique

Pen and Ink Studio Critique

Winter Saturday and Tuesday Watercolour Classes – Rust and Dust!

08/02/2017

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These old cans and containers have a lot of character and are always a popular subject with the watercolour students. On Saturday, I focused my demonstration primarily on colour and texture.

Watercolour demonstration sheet by Barry Coombs

A Sustained Saturday class is six hours long and it allows the students lots of time to complete thumbnail sketches and small studies before starting a more ambitious piece. This extra effort always pays off!

Sustained Saturday Critique

Sustained Saturday Critique

Tuesday was quite a challenge and I’m not talking about the watercolour painting! Our region experienced an ice storm. I followed the weather report every half hour and decided to run the classes. Amazingly, eleven determined students showed up for the afternoon class. Unfortunately, conditions worsened but four undaunted (maybe crazy) artists turned up for the evening session.

I concentrated on simplification and colour with my demonstration. The small study on the right was done in the evening. I’ve drawn attention to the foregound object by eliminating all paper white in the background with a cool grey wash. When that wash dried, I added shadow shapes of the other objects in a single value. Suggestion versus depiction.

Watercolour demonstration sheet by Barry Coombs

A potentially disastrous day turned into a success!

Tuesday Afternoon Critique

Tuesday Afternoon Critique

Tuesday Evening Critique

Tuesday Evening Critique

Pen and Ink Studio at DVSA – Week Four!

03/02/2017

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I dipped into my treasure trove of drawing subjects yesterday and found an entire ancient realm of castles. Albeit, castles with the names of American resorts. They offered a great opportunity to discuss ideas about handling architecture with pen and ink.

Step one of my demonstration shows some a wet-in-wet wash over a pencil drawing. The wet wash was a combination of Raw Sienna and Cobalt blue, mingling in places to create a grey. The red roofs were added after the first wash dried.

Step one of pen and watercolour demonstration by Barry Coombs

I did a lot of work on the demo with the pen. Note that before I spent time on any details, I tried to establish the main shapes of light and shadow. We didn’t have table lamps available to light our castles, so we all tried to imagine a single light source. I decided upon a light source from the upper right.

Step two of pen and watercolour demonstration by Barry Coombs

The castles look complicated but they were a lot of fun to draw. The students did very well. We’re still missing a few holidayers but expect them back in the studio at the Dundas Valley School of Art next week.

Pen and Ink Studio Critique

Pen and Ink Studio Critique

Pen and Ink Studio at DVSA – Week Three!

27/01/2017

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Don’t wake up the cats! Yesterday, at the Dundas Valley School of Art, we focused on stippling and the cats were perfect models.

Have you ever tried stippling? I call it the personality test. Some people love it and find it very relaxing. Others…. Stippling is done with the tip of the pen. Basically, it’s an accumulation of tiny dots that gradually become shapes of ever-darkening values. It requires patience and it can be time-consuming. Also, one needs to preserve the white of the paper for the light areas. Stippling can be combined with other techniques. Yesterday, we concentrated on stippling on its own.

Stippling demonstration by Barry Coombs

The students all did a drawing of a cat. They also continued working on their personal projects. It was a good pace and the projects are coming along very well. We have a small Pen and Ink Studio group this term and a few are on their winter holiday at the moment. Maybe, the quieter studio was a bonus. The cats slept through the entire afternoon.

Pen and Ink Studio Critique

Pen and Ink Studio Critique

 

Pen and Ink Studio at DVSA – Week Two!

23/01/2017

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The strangest things turn up in a pen and ink class at the Dundas Valley School of Art. I started off our second day of Pen and Ink Studio with a presentation on various papers and their suitability for pen on it’s own or with wash and watercolour. One of the students launched into a personal project and the rest of us attempted to come to grips with an invading herd of very small elephants.

I focused on the head of one of the creatures and began with a pencil drawing. I painted a few watercolour washes over the drawing and allowed it to dry. The paper is Arches, Hot Press, 140lb on a block.

Step One of pen and watercolour demonstration by Barry Coombs

Once dry, I used the pen to refine the drawing. My first consideration was the development of shadows. Definition and detail came next. I’m very careful about how I handle edges. I rarely, if ever, outline with a solid line. Look for the gaps in the pen line around the edges. Also, look at the slightly bumpy underside of the trunk. I didn’t indicate that with the preliminary pencil drawing; just with the pen.

Step Two of pen and watercolour demonstration by Barry Coombs

It was a challenge but the students did well with the elephants. Over the next few weeks, we should be able to see progress with their personal projects.

Pen and Ink Studio Critique

Pen and Ink Studio Critique

Winter Saturday and Tuesday Watercolour Classes!

18/01/2017

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Winter term is underway at the Arts on Adrian studio in the west end of Toronto. I set up a still life of citrus and mostly blue objects and the complementary colours were quite striking. My demonstrations on Saturday and for the two Tuesday classes dealt with the same painting issues; colour and also a discussion of a few principles and techniques for painting reflections.

Watercolour demonstration sheet by Barry Coombs

Watercolour demonstration sheet by Barry Coombs

It was good to see everyone after the holiday season. Several hadn’t painted for a while but I don’t think there was too much evidence of rust. Here are three ‘exhibitions’ of their work for your enjoyment and edification.

Sustained Saturday Critique

Sustained Saturday Critique

Tuesday Afternoon Critique

Tuesday Afternoon Critique

Tuesday Evening Critique

Tuesday Evening Critique

 

Barry’s Birds for January, 2017 – Snow Bunting

15/01/2017

Pen and ink drawing by Barry Coombs

This pen and ink drawing of a Snow Bunting is my submission for the January issue of the Wood Duck, the magazine of the Hamilton Naturalists’ Club. The monthly feature is called Barry’s Birds.

Snow Buntings visit windswept and snowbound rural fields in our region every winter. This individual had a kernel of corn in it’s beak.

Pen and Ink Studio at DVSA – Week One

13/01/2017

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I was back at the Dundas Valley School of Art yesterday afternoon to teach Pen and Ink Studio; the first of eight afternoons. The course is designed to allow participants the opportunity to develop their personal projects under the guidance of the instructor. For the first class, I brought in a selection from my collection of bones and we all started with the same exercise.

I used cross-hatching and a bit of stippling in my demonstration. We discussed the basic pen techniques and followed a sound process as the drawings were developed.

Pen and ink demonstration by Barry Coombs

We also discussed the personal projects and they’ll get underway next week. However, our shared experience of drawing bones was a good way to kick off the course. Would you like to join us? If so, contact DVSA. We’ve got room in the class for you.

Pen and Ink Studio Critique

Pen and Ink Studio Critique

Merry Christmas, Happy Hanukkah and Seasons Greetings!

24/12/2016

Christmascartoon2016 by Barry Coombs

Barry’s Birds in the Wood Duck magazine

10/12/2016

My hobby is birding. As such, I’m a member in a few clubs and organizations. One of these is the Hamilton Naturalists’ Club. The club produces the Wood Duck magazine nine times a year, from September to May. I recently submitted a pen and ink drawing of an American Kestrel for the December issue. The editor liked it and suggested we make it a regular feature. Barry’s Birds has hatched and taken flight!

American Kestrel by Barry Coombs

American Kestrel
by Barry Coombs

Wood Duck, December 2016, Cover  Wood Duck, December 2016, P. 94