Posts Tagged ‘Canada’

Recent Paintings at Propeller Gallery – It’s a Wrap!

03/07/2017

My exhibition of recent paintings at Propeller Gallery in Toronto ended yesterday. Thanks go to Nathan and everyone else at Propeller who made things easy. An artist feels support in many ways. Not everyone, of course, is able to make a purchase. Artists understand that but really appreciate a good turnout. My thanks go to all of you who attended the opening reception or visited the show at another time. It was Canada Day weekend and I know it took a special effort from many of you.

I received compliments from many of you and every word is valued. I was particularly pleased to receive the very positive feedback from my creative peers. Those words are priceless.

I’ve added a few installation shots to this post. If you’d like to read my artist statement and view all of the work from the exhibition, click here or on the Propeller page under the Pages menu in the sidebar on the right.

Plein Air Toronto 2017 – Last Two Days!

28/06/2017

Click on our First Three Days if you somehow missed the last post. Day four of Plein Air Toronto 2017 was Thursday of last week and the weather, which had been tricky all week, took a turn for the worst. I made arrangements for us to sketch in pen and ink all day long and without any concerns about rain. The catch was that our plein air artists were going indoors for the day. We met in the morning at the Gardiner Museum, which is dedicated to historic and contemporary ceramic art.

It’s a beautiful museum but it’s difficult to gather the entire group at once for a demonstration or critique. I handed out a prepared sheet showing basic pen techniques in the morning. Later, I gathered a small group of pen and ink novices and sketched a Pre-Columbian figure as I discussed my thoughts.

It was a great day and don’t forget the excellent restaurant when you visit the Gardiner. Friday was yet another challenging weather day. However, I don’t have almost thirty years of experience for nothing. We met at University College on the lovely downtown campus of the University of Toronto.

The College has a large interior courtyard surrounded, on two sides, by wide colonnades. We were high and dry and had plenty of subject matter through the arches. Even the arches themselves attracted the eye of our artists.

I brought in some examples of pen and watercolour studies, done on the U of T campus, to get the morning started. As the group worked, I began a watercolour of my own for a change. Several of the new students expressed interest in my approach and process. I began with a sketch to resolve a composition and then drew it up on a sheet of watercolour paper.

  

I wasn’t able to finish the piece by the end of the day as I had teaching responsibilities. I pulled it together later in my studio.

Enough about me! Let’s have a look at our day at University College.

Eventually, it was time for our last critique of the week. The skies cleared just enough and we gathered one more time. What a great group! I thank them all for their cheerful participation and also thank you for following, commenting and liking the posts. Plein Air Toronto will be back next year. Now, for a look at the work from Friday.

University College
Critique a

University College
Critique b

Plein Air Toronto 2017 – First Three Days!

26/06/2017

One week ago, the 2017 Plein Air Toronto participants gathered at the Arts on Adrian studio in the west end. We introduced ourselves and I gave a demonstration that considered several common elements of the urban landscape we’d be painting for the next five days. We also discussed colour; green, in particular.

Following our meeting, we headed down to the Sunnyside Pavilion which is on the beach of Lake Ontario.

The Pavilion is a lovely place to sketch and paint, inside and out.

We put in a good day’s work and met inside the Pavilion for our first critique of the week. Click on an image for a larger version.

Sunnyside Pavilion
Critique a

Sunnyside Pavilion
Critique b

We met onsite at Riverdale Farm on Tuesday morning. It was a blustery day with a few showers but there was ample overhead shelter for us. This urban farm is bordered by a park on one side and a historic cemetery and chapel on the other. There’s lots of great subject matter to choose from including the charming cafe across the street.

I had prepared a demonstration ahead of time. My subject was the cafe and my painting was a value study in cool greys. I discussed my process and the importance of developing an eye for value.

Colour can be added to a study like this by gently ‘glazing’ washes over the appropriate areas. The grey washes should be completely dry before proceeding.

The group wandered around a bit to find their spots and then settled in. I kept a few of the newer folks back to talk about basic drawing and the use of a measuring stick to assist with perspective and proportion. I’ve developed a Drawing Checklist over the years and it can be very useful.

The little bit of rain didn’t deter us. It was a very productive day and we found a private and quiet spot for our critique.

Riverdale Farm
Critique a

Riverdale Farm
Critique b

Wednesday promised to be a day of sunshine and we chose historic Spadina House as our location. We met in the parkette between Spadina House and Casa Loma for my demonstration. I used an approach I call shape-reading, direct painting without any preliminary pencil drawing. Challenging but fun and very instructive. As I painted, I chatted about my thoughts and decisions.

We made the most of our sunny weather and gorgeous painting site.

It was a beautiful day and the paintings were equally lovely. Stay tuned for our final two days of Plein Air Toronto 2017. Coming soon!

Spadina House
Critique a

Spadina House
Critique b

 

 

RECENT PAINTINGS by Barry Coombs at Propeller Gallery

24/06/2017

You are cordially invited to a solo exhibition of recent paintings by BARRY COOMBS in the North Gallery of PROPELLER GALLERY. The exhibition will run from June 28 – July 2, 2017.

The Opening Reception will take place on Thursday, June 29 from 6:30 – 9pm.

The exhibition will be open from Wednesday to Saturday from 12 – 6pm and on Sunday from 12 – 5pm.

PROPELLER GALLERY
30 Abell Street (near Queen West and Gladstone) in Toronto, Ontario M6J 0A9
416-504-7142 / propellerctr.com

Introduction to Drawing Cats at DVSA!

11/06/2017

Two weeks ago, I led a one-day workshop at the Dundas Valley School of Art. Our theme was dogs and our medium was pen with watercolour. Last Thursday, I was back and it was time to draw cats!

All of our cat drawings were done from photo reference. I began the day with a look at the skeleton of a cat followed by some tips on drawing the creatures. We usually complete two drawings and start a third over the course of a day.

Our first challenge on Thursday was a calico. I drew the cat with pencil and followed that with some initial pen work.

The next stop was to establish the colours with watercolour. The washes were perfectly dry before I went back in with more pen.

Our next subject was a portrait of a Himalayan kitten. Again, I started with the pencil drawing but this time I applied the watercolour before the pen.

Once dry, it was time to add the pen. The relationship and balance between the amount of pen and watercolour can be unique to each drawing. The pen work in this drawing is much more restrained than in that of the calico. If I was somehow able to eliminate the watercolour, would there be enough penwork to describe the kitten? Maybe not, but they work together effectively.

I presented a much more playful approach to our final drawing of a sleeping tabby. Pencil first before using the pen in a linear manner. Line variety and weight is the key here.

I tried to maintain the playful feel with a non-literal approach to colour. Washes of Pthalo Green and Rose Madder Quinacridone (basically, a cool green and a cool red) were allowed to run into each other. Not all of the students completed this drawing before we ran out of time but they enjoyed the different process.

I won’t be back at DVSA until next fall but I’ve got an exciting lineup of pen and ink and watercolour workshops on the calendar. It’s been an enjoyable spring term with a great bunch of enthusiastic and talented students. Have a peek at their drawings of cats.

Drawing Cats-Critique a

Drawing Cats-Critique b

Introduction to Drawing Dogs at DVSA

29/05/2017

Last Thursday, it was another day of pen and watercolour at the Dundas Valley School of Art. Our theme was dogs and we really had no choice but to work from photographs. I provided the photo reference. I also issued a printed handout showing the skeleton of a dog. My intention was not to be too scientific or absolutely anatomically perfect but it definitely helped us understand the basic structure underneath all of that cuddly fur.

I started each exercise by demonstrating on an 18 x 24″ pad of cartridge paper at an easel. Using coloured markers, I presented an approach to capturing the proportions and dynamics of the subject. Dog Number One was a Golden Retriever.

Following the discussion, I switched to watercolour paper and drew the dog in pencil. My next step was with pen. I paid attention to the direction of my pen strokes in order to convey a feeling of fur.

It was time for watercolour! I wet the entire dog with water. While nice and wet, I added the orange/gold wash and let it run a bit. Note that some areas, particularly the legs, are whiter than the rest of the dog. It took a while for the wash to dry but eventually it did. I then worked back in with the pen, adding more definition to the head. I left it at this point but could have done more penwork throughout the body.

Dog Number Two was a West Highland Terrier. I started out on the easel again. I considered light and shadow for this exercise as I wanted to preserve the white of the paper for the lightest areas on the dog.

This time we painted first, wet onto the dry paper. Using a neutral grey, I tried to establish the light and shadow as well as a shaggy feel. A bit of colour was added to the ears and some other spots.

Once again, stroke direction was important with the pen.

We didn’t have much time left for Dog Number Three but I wanted to do a portrait and this Beagle puppy was perfect. After drawing it with pencil, I added the colour washes. The lightest colour was first and the darkest last.

I did some quick pen work and left it unfinished. The students didn’t have time to do this exercise but some wanted to try it at home.

We were dog-tired at the end of a long day of learning. There was a good energy in the room as we looked at the drawings.

Drawing Dogs –
Critique a

Drawing Dogs –
Critique b

I’ll be back at DVSA on Thursday, June 8, for the last workshop in the series. Guess what we’ll be drawing? That’s right; cats! Join us.

 

 

Intro to Pen with Wash and Watercolour at DVSA!

15/05/2017

I was back at the Dundas Valley School of Art last Thursday. Our workshop was an Introduction to Pen with Wash and Watercolour and we completed three drawings and some studies over the course of the day. We started off with a relatively simple subject; a jalapeño pepper.

The first step was to position the pepper in profile. Next, we drew it in pencil. Following the pencil, we hatched and cross-hatched with our pens. The green wash was next and we left some paper white for highlights. A cool grey wash was added to the cast shadow area. Once the washes had dried, we worked back in with pen.

Before we began our next drawing, we did a few studies of curving volumes and considered how they would receive light from above. After those studies, I pulled out my surprise. Dog chews!

Am I crazy? The students may have thought so at first but they really enjoyed studying these interesting forms. Using our studies as reference, we drew the chews in pencil and then added a brown wash to indicate the areas of core shadow. The penwork was our last step and we tried to follow the forms with our strokes. Also, note the upper edges of the chew. There is no hard outline! Gaps have been left to allow light to flow into the object from the surrounding paper.

Our final subject was quite different and we varied our approach with it. Pencil first and the colour washes second. Pen was used for shadow and to define the various planes.

 

Everyone was exhausted at the end of the day and that’s a good thing. Learning and concentrating can be very tiring. Still, we had time for a look at the work. My next workshop at DVSA is drawing dogs with pen and watercolour and takes place on Thursday, May 25. Care to join us?

Pen, Wash & Watercolour
Critique a

Pen, Wash & Watercolour
Critique b

 

 

Saturday and Tuesday Spring Watercolour Classes

12/05/2017

Our still life this week was comprised of watering cans and various other metal containers but our theme was colour! Recently, I’ve been reading Interactions of Colour by the great colourist, Josef Albers. Albers points out that we all perceive colour, to some extent, in our own way. I find this reassuring. The students were relieved to know that there’s no absolute right or wrong when it comes to choosing and mixing colour.

My demonstration on Saturday focused on colour, of course, and I painted several simplified studies of the objects. I have a little less time to demonstrate on Tuesdays (shorter classes) so I discussed colour again but painted only swatches and haven’t shown that sheet here.

We’ve had a very grey, damp and cool ‘spring’, so far. The cheerful colours were well-received. Here’s the work from the three classes!

Sustained Saturday Critique

Tuesday Afternoon Critique

Tuesday Evening Critique

Barry’s Birds for Wood Duck magazine – April and May

05/05/2017

These pen and ink drawings were my submissions for the April and May issues of the Wood Duck, the magazine of the Hamilton Naturalists’ Club. The monthly feature is called Barry’s Birds.

Killdeer-
April

Sharp-shinned Hawk-
May

Spring Tuesday and Saturday Watercolour Classes

24/04/2017

We had a very cheerful still-life at the Arts on Adrian studio last week. I just got back from teaching in Mexico a while ago and I guess I miss it already. Last Tuesday, I discussed some basics with my demonstration as well as a few thoughts about handling the fabric backdrop.

Let’s have a look at what the students did in the Tuesday afternoon and evening classes.

Tuesday Afternoon Critique

Tuesday Evening Critique

Do you ever wonder what the Arts on Adrian studio looks like? It’s spacious and well-lit. Every student works at their own table with lots of room. Here’s a peek at some of the Saturday students at work.

And here’s a well-organized work table. As long as the artist doesn’t dip her brush in her tea!

The Saturday demonstration isn’t an exact duplicate of Tuesday. We look at the one from Tuesday and I add some new thoughts.

Watercolour demonstration sheet by Barry Coombs

There was a lot of good energy in the studio on Saturday, as well. Enjoy their work!

Sustained Saturday Critique