Posts Tagged ‘Toronto studio watercolour classes’

Fall Saturday and Tuesday Watercolour Classes – Final Week!

22/11/2017

I was back at the Arts on Adrian studio this week. I set up a still-life with analogous colours and these interesting carved wooden objects. Brain cramp! I forgot to photograph my demonstration from Saturday. However, it was very similar to the sheet I did for the Tuesday classes which I did remember to photograph.

I used only primary colours (red, yellow and blue) to mix the ‘browns’ of the wooden objects. I followed a traditional ‘soft to crisp’, ‘big to small’ and ‘light to dark’ process. My first wash in each study covered the entire object. Second washes added structure and pattern. The thin, dark grooves were the last step.

Do you do thumbnail studies before you paint? I encourage my students to make thumbnails in order to find their composition and consider value. I’m showing two thumbnails by two different artists from the Saturday class.

Thumbnail study by George

George likes to do a sketch of the entire still-life. He then picks an area and develops the values. This is a very small study, no more than 4 x 5″.

Thumbnail study by Rosemary

Rosemary has already decided on her area of interest when she starts her study. Note that she uses a grid to help her enlarge the image on to her watercolour sheet. This study is roughly 8 x 6″. I don’t think a thumbnail needs to be any larger.

Can you pick out the watercolours by George and Rosemary in the Sustained Saturday critique?

Sustained Saturday Critique

I’ll jump right to the Tuesday critiques. Same demonstration, same still-life. My fall classes are over at Arts on Adrian. I’ll be back in January and you’ll hear about the winter calendar here. Stay tuned and thanks for following.

Tuesday Afternoon Critique

Tuesday Evening Critique

 

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Saturday and Tuesday Fall Watercolour Classes – Week Three!

08/11/2017

I was very excited about this still-life of old teapots and clementines. I knew it would be a challenge for the students but I was confident that they would be up for it. I took a while demonstrating for the Saturday group. Mixing greys was one topic. Reflections were discussed and I also reviewed some brush-handling skills.

The students always work hard in the classes but they enjoy each other’s company, as well. A real community has developed over the years. It’s welcoming to new students and they’re all very supportive of each other. On Saturday afternoon, a small surprise party erupted. Trish had recently been married to her long-time partner, Jacques (they met during one of my Grand Manan Island workshops). She didn’t expect an extra celebration but she got one! She’s wearing a tiara provided by Karen and Stewart is pouring the Prosecco.

Back to work, everybody! It was a great day. I don’t know if the Prosecco stimulated the creative process or not but the work was excellent. Remember to click on the critique image if you want to see a larger version.

Sustained Saturday Critique

Here’s a different look at the still-life. Dramatic, isn’t it?

My demonstrations for the Tuesday afternoon and evening classes were very similar to the one on Saturday. I tried to condense it somewhat as they have less time to paint.

I’m really pleased with the response to the still-life. The students really relish new drawing and painting problems and the Tuesday classes were no exception. Here’s what they did.

Tuesday Afternoon Critique

Tuesday Evening Critique

Saturday and Tuesday Watercolour Classes – Week Three!

25/10/2017

You know it’s October at Arts on Adrian when the still-life is composed of squash and gourds. Last Saturday, our fall motif got the creative juices flowing for an enthusiastic bunch of artists. As usual, I started things off with a demonstration. I discussed a few ideas but mostly I stressed luminous lights with this watercolour sketch.

Process was also emphasized and that includes everything from warmup and thumbnail sketches to colour testing and frequently stepping back from your painting. The Saturday students have a whole day to paint and shouldn’t be taking any shortcuts! They applied themselves and the results were very impressive.

Sustained Saturday Critique

Here’s another point of view of our still-life. It’s interesting to see how a different background colour can influence the image.

I have two classes on Tuesdays; afternoon and evening. I managed the demonstrations as a sort of Q and A session. This work sheet shows my responses to some of the questions.

That might be one of the gnarliest gourds I’ve ever painted (the green and orange one). However, it got the point across and that’s the goal of a demonstration. The Tuesday groups responded very well, as always. I’ll be back at Arts on Adrian in Toronto’s Junction district soon. Care to join us? Click here for my Fall Calendar.

Tuesday Afternoon Critique

Tuesday Evening Critique

 

 

Saturday and Tuesday Fall Watercolour Classes – Week One!

11/10/2017

It’s ‘back to school’ at the Arts on Adrian studio in Toronto, Ontario. Fall term started a few weeks later than usual as I was off teaching in Portugal for the second half of September. Last Saturday, it was time for some still-life painting. I kicked the season off with a demonstration that emphasized a few basics.

This is a watercolour sketch. It can serve as a warmup painting before settling into something more sustained. Adding an approach like this to your practice can bring many benefits. Finding the light. I’ve left the direct light unpainted in this study; indicated by the white of the paper. Simplification. I’ve paid no attention to reflected light, for example. I want to capture the essence of the still-life. Brush-handling. I lightly ‘placed’ the objects on my sheet with a very minimal pencil drawing. I wanted the brush to do most of the work. I wasn’t concerned about perfect proportions or symmetry. Freshness. I painted each area once only. Nothing was overpainted.

It was good to see everyone and we had a pleasant and creative day in the studio. Here are the results from our Sustained Saturday.

Sustained Saturday Critique

I varied the still-life slightly for the Tuesday classes and used three different kinds of pears; Bartletts, Boscs and Anjous.

My demonstration addressed the same concepts. The afternoon demo is on the left and the evening on the right of the sheet.

Not everyone was able to simplify to the degree that I had in my demonstration but some very nice work was created. Our first week of fall term went very well and I’ll be back at Arts on Adrian soon. Stay tuned.

Tuesday Afternoon Critique

Tuesday Evening Critique

Saturday and Tuesday Spring Watercolour Classes

12/05/2017

Our still life this week was comprised of watering cans and various other metal containers but our theme was colour! Recently, I’ve been reading Interactions of Colour by the great colourist, Josef Albers. Albers points out that we all perceive colour, to some extent, in our own way. I find this reassuring. The students were relieved to know that there’s no absolute right or wrong when it comes to choosing and mixing colour.

My demonstration on Saturday focused on colour, of course, and I painted several simplified studies of the objects. I have a little less time to demonstrate on Tuesdays (shorter classes) so I discussed colour again but painted only swatches and haven’t shown that sheet here.

We’ve had a very grey, damp and cool ‘spring’, so far. The cheerful colours were well-received. Here’s the work from the three classes!

Sustained Saturday Critique

Tuesday Afternoon Critique

Tuesday Evening Critique

Spring Tuesday and Saturday Watercolour Classes

24/04/2017

We had a very cheerful still-life at the Arts on Adrian studio last week. I just got back from teaching in Mexico a while ago and I guess I miss it already. Last Tuesday, I discussed some basics with my demonstration as well as a few thoughts about handling the fabric backdrop.

Let’s have a look at what the students did in the Tuesday afternoon and evening classes.

Tuesday Afternoon Critique

Tuesday Evening Critique

Do you ever wonder what the Arts on Adrian studio looks like? It’s spacious and well-lit. Every student works at their own table with lots of room. Here’s a peek at some of the Saturday students at work.

And here’s a well-organized work table. As long as the artist doesn’t dip her brush in her tea!

The Saturday demonstration isn’t an exact duplicate of Tuesday. We look at the one from Tuesday and I add some new thoughts.

Watercolour demonstration sheet by Barry Coombs

There was a lot of good energy in the studio on Saturday, as well. Enjoy their work!

Sustained Saturday Critique

Spring Tuesday and Saturday Watercolour Classes – Baked Goods!

11/04/2017

Yummy! I should have warned the students to not come hungry for the classes last Tuesday and Saturday. These baked goods weren’t just mouth-watering but a lot of fun to paint, as well.

Before I demonstrated, we had a look at the work of Wayne Thiebaud, the American artist who is well-known for his paintings of pastries and other everyday food items and objects.

I wanted to stress colour and simplification with my demonstrations on both days. I also discussed the white objects in the still-life and offered some thoughts on dealing with them.

Tuesday Demonstration

Saturday Demonstration

I had to keep a close eye on our tempting still-life. One of the students even rolled a pencil off a table, crawled under and approached the cupcakes! Fortunately, the goods survived until the end of the classes and the students enjoyed painting them as much as they would have enjoyed devouring them……maybe, not.

Tuesday Afternoon Critique

Tuesday Evening Critique

Saturday Critique

Winter Saturday and Tuesday Watercolour Classes – Brass!

03/03/2017

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Here are two views of our still-life from the Saturday and Tuesday watercolour classes at Arts on Adrian in Toronto.

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Saturday class is an all day affair and I suggested that the students take the time to do a small warmup painting. I used a flat angled brush for my demonstration and worked very quickly. As I painted, I discussed various aspects of the still-life. Fast and messy, this painting is not an end in itself but part of a process. A warmup painting can help the student identify potential problems and challenges before tackling a sustained piece.

Watercolour demonstration by Barry Coombs

Several of the students followed my lead before settling into a more sustained painting.

Sustained Saturday Critique

Sustained Saturday Critique

Tuesday classes are three hours in duration. I decided to discuss the drapery behind the objects. My demonstrations simplify the folds as much as possible.

That’s it for Winter term at Arts on Adrian. I’ll be posting my Spring calendar soon!

Watercolour demonstrations by Barry Coombs

Tuesday Afternoon Critique

Tuesday Afternoon Critique

Tuesday Evening Critique

Tuesday Evening Critique

 

Winter Saturday and Tuesday Watercolour Classes – Rust and Dust!

08/02/2017

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These old cans and containers have a lot of character and are always a popular subject with the watercolour students. On Saturday, I focused my demonstration primarily on colour and texture.

Watercolour demonstration sheet by Barry Coombs

A Sustained Saturday class is six hours long and it allows the students lots of time to complete thumbnail sketches and small studies before starting a more ambitious piece. This extra effort always pays off!

Sustained Saturday Critique

Sustained Saturday Critique

Tuesday was quite a challenge and I’m not talking about the watercolour painting! Our region experienced an ice storm. I followed the weather report every half hour and decided to run the classes. Amazingly, eleven determined students showed up for the afternoon class. Unfortunately, conditions worsened but four undaunted (maybe crazy) artists turned up for the evening session.

I concentrated on simplification and colour with my demonstration. The small study on the right was done in the evening. I’ve drawn attention to the foregound object by eliminating all paper white in the background with a cool grey wash. When that wash dried, I added shadow shapes of the other objects in a single value. Suggestion versus depiction.

Watercolour demonstration sheet by Barry Coombs

A potentially disastrous day turned into a success!

Tuesday Afternoon Critique

Tuesday Afternoon Critique

Tuesday Evening Critique

Tuesday Evening Critique

Winter Saturday and Tuesday Watercolour Classes!

18/01/2017

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Winter term is underway at the Arts on Adrian studio in the west end of Toronto. I set up a still life of citrus and mostly blue objects and the complementary colours were quite striking. My demonstrations on Saturday and for the two Tuesday classes dealt with the same painting issues; colour and also a discussion of a few principles and techniques for painting reflections.

Watercolour demonstration sheet by Barry Coombs

Watercolour demonstration sheet by Barry Coombs

It was good to see everyone after the holiday season. Several hadn’t painted for a while but I don’t think there was too much evidence of rust. Here are three ‘exhibitions’ of their work for your enjoyment and edification.

Sustained Saturday Critique

Sustained Saturday Critique

Tuesday Afternoon Critique

Tuesday Afternoon Critique

Tuesday Evening Critique

Tuesday Evening Critique