Posts Tagged ‘watercolour’

Introduction to Drawing Dogs at DVSA

29/05/2017

Last Thursday, it was another day of pen and watercolour at the Dundas Valley School of Art. Our theme was dogs and we really had no choice but to work from photographs. I provided the photo reference. I also issued a printed handout showing the skeleton of a dog. My intention was not to be too scientific or absolutely anatomically perfect but it definitely helped us understand the basic structure underneath all of that cuddly fur.

I started each exercise by demonstrating on an 18 x 24″ pad of cartridge paper at an easel. Using coloured markers, I presented an approach to capturing the proportions and dynamics of the subject. Dog Number One was a Golden Retriever.

Following the discussion, I switched to watercolour paper and drew the dog in pencil. My next step was with pen. I paid attention to the direction of my pen strokes in order to convey a feeling of fur.

It was time for watercolour! I wet the entire dog with water. While nice and wet, I added the orange/gold wash and let it run a bit. Note that some areas, particularly the legs, are whiter than the rest of the dog. It took a while for the wash to dry but eventually it did. I then worked back in with the pen, adding more definition to the head. I left it at this point but could have done more penwork throughout the body.

Dog Number Two was a West Highland Terrier. I started out on the easel again. I considered light and shadow for this exercise as I wanted to preserve the white of the paper for the lightest areas on the dog.

This time we painted first, wet onto the dry paper. Using a neutral grey, I tried to establish the light and shadow as well as a shaggy feel. A bit of colour was added to the ears and some other spots.

Once again, stroke direction was important with the pen.

We didn’t have much time left for Dog Number Three but I wanted to do a portrait and this Beagle puppy was perfect. After drawing it with pencil, I added the colour washes. The lightest colour was first and the darkest last.

I did some quick pen work and left it unfinished. The students didn’t have time to do this exercise but some wanted to try it at home.

We were dog-tired at the end of a long day of learning. There was a good energy in the room as we looked at the drawings.

Drawing Dogs –
Critique a

Drawing Dogs –
Critique b

I’ll be back at DVSA on Thursday, June 8, for the last workshop in the series. Guess what we’ll be drawing? That’s right; cats! Join us.

 

 

Intro to Pen with Wash and Watercolour at DVSA!

15/05/2017

I was back at the Dundas Valley School of Art last Thursday. Our workshop was an Introduction to Pen with Wash and Watercolour and we completed three drawings and some studies over the course of the day. We started off with a relatively simple subject; a jalapeño pepper.

The first step was to position the pepper in profile. Next, we drew it in pencil. Following the pencil, we hatched and cross-hatched with our pens. The green wash was next and we left some paper white for highlights. A cool grey wash was added to the cast shadow area. Once the washes had dried, we worked back in with pen.

Before we began our next drawing, we did a few studies of curving volumes and considered how they would receive light from above. After those studies, I pulled out my surprise. Dog chews!

Am I crazy? The students may have thought so at first but they really enjoyed studying these interesting forms. Using our studies as reference, we drew the chews in pencil and then added a brown wash to indicate the areas of core shadow. The penwork was our last step and we tried to follow the forms with our strokes. Also, note the upper edges of the chew. There is no hard outline! Gaps have been left to allow light to flow into the object from the surrounding paper.

Our final subject was quite different and we varied our approach with it. Pencil first and the colour washes second. Pen was used for shadow and to define the various planes.

 

Everyone was exhausted at the end of the day and that’s a good thing. Learning and concentrating can be very tiring. Still, we had time for a look at the work. My next workshop at DVSA is drawing dogs with pen and watercolour and takes place on Thursday, May 25. Care to join us?

Pen, Wash & Watercolour
Critique a

Pen, Wash & Watercolour
Critique b

 

 

Saturday and Tuesday Spring Watercolour Classes

12/05/2017

Our still life this week was comprised of watering cans and various other metal containers but our theme was colour! Recently, I’ve been reading Interactions of Colour by the great colourist, Josef Albers. Albers points out that we all perceive colour, to some extent, in our own way. I find this reassuring. The students were relieved to know that there’s no absolute right or wrong when it comes to choosing and mixing colour.

My demonstration on Saturday focused on colour, of course, and I painted several simplified studies of the objects. I have a little less time to demonstrate on Tuesdays (shorter classes) so I discussed colour again but painted only swatches and haven’t shown that sheet here.

We’ve had a very grey, damp and cool ‘spring’, so far. The cheerful colours were well-received. Here’s the work from the three classes!

Sustained Saturday Critique

Tuesday Afternoon Critique

Tuesday Evening Critique

Spring Tuesday and Saturday Watercolour Classes

24/04/2017

We had a very cheerful still-life at the Arts on Adrian studio last week. I just got back from teaching in Mexico a while ago and I guess I miss it already. Last Tuesday, I discussed some basics with my demonstration as well as a few thoughts about handling the fabric backdrop.

Let’s have a look at what the students did in the Tuesday afternoon and evening classes.

Tuesday Afternoon Critique

Tuesday Evening Critique

Do you ever wonder what the Arts on Adrian studio looks like? It’s spacious and well-lit. Every student works at their own table with lots of room. Here’s a peek at some of the Saturday students at work.

And here’s a well-organized work table. As long as the artist doesn’t dip her brush in her tea!

The Saturday demonstration isn’t an exact duplicate of Tuesday. We look at the one from Tuesday and I add some new thoughts.

Watercolour demonstration sheet by Barry Coombs

There was a lot of good energy in the studio on Saturday, as well. Enjoy their work!

Sustained Saturday Critique

Spring Tuesday and Saturday Watercolour Classes – Baked Goods!

11/04/2017

Yummy! I should have warned the students to not come hungry for the classes last Tuesday and Saturday. These baked goods weren’t just mouth-watering but a lot of fun to paint, as well.

Before I demonstrated, we had a look at the work of Wayne Thiebaud, the American artist who is well-known for his paintings of pastries and other everyday food items and objects.

I wanted to stress colour and simplification with my demonstrations on both days. I also discussed the white objects in the still-life and offered some thoughts on dealing with them.

Tuesday Demonstration

Saturday Demonstration

I had to keep a close eye on our tempting still-life. One of the students even rolled a pencil off a table, crawled under and approached the cupcakes! Fortunately, the goods survived until the end of the classes and the students enjoyed painting them as much as they would have enjoyed devouring them……maybe, not.

Tuesday Afternoon Critique

Tuesday Evening Critique

Saturday Critique

San Miguel de Allende, Mexico – Another Successful Workshop!

03/04/2017

We’re back home, safe and sound, after another wonderful ten creative days in San Miguel de Allende. Last Tuesday was a free day. On Wednesday morning, we walked up to Plaza San Antonio with it’s striking white church.

I brought my easel along to do an on-site demonstration. We could see the mountains beyond the buildings that surrounded the square. As usual, I discussed my thoughts and decisions as I painted.

It’s always advisable to paint in the shade, especially in Mexico! Fortunately, Plaza San Antonio has plenty of shade and much to paint.

We had a great day and finished off with a critique at our studio. Sadly, we’re down to nine painters. One of the students had to cut her painting holiday short because of a business trip. Aren’t careers a nuisance?

A few of the students followed my lead and painted the same view I did with my demo. That’s not something I recommend necessarily but there are many ways to learn and absorb ideas from an instructor.

Wednesday Critique a

Wednesday Critique b

We met in our studio again for my demonstration on Thursday morning. There had been quite a demand for a figure demonstration and I bowed to the requests. My two figures were both started with pencil. Using a cool grey wash, I painted the shadows on the gent to the left. When the washes were dry, I glazed on the local colours. I started directly with local colour for the lady on the right and left a fair bit of paper white to suggest light. I let the washes dry before adding the penwork.

One of my favourite painting spots in SM de Allende is the Instituto Bellas Artes. It’s a shady and peaceful art and music school. Our students settled into the spots of their choice while listening to relaxing live guitar music. Later on, the musical program changed to piano emanating from an upper floor studio.

Another treat at Bellas Artes are the many murals painted by past instructors and students.

We thanked Bellas Artes for hosting a soothing and inspiring day of painting and sketching. It was time for critique, once again.

Thursday Critique a

Thursday Critique b

Alas, Friday was our last day of painting together. We strolled up to Parque Guadiana, a tranquil park in a pretty residential neighbourhood. I did a brief demonstration at my easel. It was really an illustrated review of some of the things we’d discussed to date. Once the students settled down to work, I painted two small works that took about 45 minutes each. I later showed them to the group and explained my thoughts and process.

Friday critique was held in our hotel studio.

Friday Critique a

Friday Critique b

Our painting time had come to an end but we had one more event to celebrate on Saturday; Final Critique. It’s a chance to summarize our time together. Each student selects three of their works and tells us a bit about them and their overall experience. Here is the SM de Allende Class of 2017 (in alphabetical order)!

Fiona

Frances

Ian

Michael

Orshy

Phil

Renate

Susan

Let’s not forget our missing painter, now attending a conference in India.

Karen

That’s all, amigos. I’m grateful to this year’s participants for their good nature and hard work. Thanks go to Jim Nikiforos of Air Transat Travel for his efforts and to those of you who have liked and commented on our adventures. Hasta luego!

San Miguel de Allende, Mexico 2017

28/03/2017

 

Hola, amigos! We’re back in beautiful San Miguel de Allende. We arrived last Thursday afternoon at the Posada de la Aldea and our first group event was a delicious Welcome Dinner. On Friday morning, I led an orientation walk around town so that everyone could get their bearings. The group had the rest of the day on their own.

Our first day of sketching and painting was Saturday. We met at 9am sharp in a shady spot in the hotel courtyard for a lesson/demonstration. The plan was to work in the courtyard for the day. I discussed subject selection and simplification.

The courtyard has plenty of charm and our artists were not short of inspiration.

We wrapped up the day in our studio with a critique.

Saturday Critique a

Saturday Critique b

The lovely local park, Parque Benito Juarez, was our painting site for Sunday. We met in our studio for my demonstration prior to walking over to the park. I wanted to prepare the students for some of the creative challenges they would encounter and foliage was the first priority. I also discussed some architectural elements.

Another great day followed by an enjoyable critique.

Sunday Critique a

Sunday Critique b

We decided to throw caution to the wind on Monday and paint in the Jardin, the main square. There are lots of people but there is plenty of shade, as well. Before we went up to the Jardin, I gave a demonstration in our studio. Arches were on the menu.

It’s very pleasant to return to our studio at the end of a sunny day outdoors. Our Monday critique went extremely well. Tuesday is a free day; shopping, exploring and relaxing. We’ll be back at it on Wednesday morning. Hasta luego!

Monday Critique a

Monday Critique b

Pen and Ink Studio at DVSA – Week Eight!

06/03/2017

Sadly, our Pen and Ink Studio at the Dundas Valley School of Art has come to an end! Last Thursday was our eighth afternoon together. Every day I presented a project. Some of the students tried the projects and some worked on their own with my guidance and feedback. Some did both.

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I brought in the fleet for our daily project. My demonstration was done in a few steps. First of all, I drew my boat in pencil but I added several features that weren’t present in my little model. Also, I added local colour with watercolour. Pen was the final step.

Step One of pen and watercolour demonstration by Barry Coombs

Step Two of pen and watercolour demonstration by Barry Coombs

The students also had a little fun with the boats and gave them personal touches.

Pen and Ink Studio Critique

Pen and Ink Studio Critique

It’s time to look at some of the other work that’s been done. We’ll start with this full sheet pen and watercolour piece by Vicky. She’s really pushed herself with this large format and has used calligraphy and lettering nibs for the penwork.

Pen and Watercolour by Vicky

Pen and Watercolour by Vicky

This is another large format piece. Elaine has planned this carefully but there’s still a lot to do. She masked out the area of the motorcycle and rider in order to paint the washes with broad strokes right across the sheet. She’s also been working on studies of the bike and rider and I think it will all pay off when she gets to the pen stage.

Pen and watercolour by Elaine

Pen and watercolour by Elaine

Finally, we have three works by Barbara. She’s been working on them as well as the daily projects. All are done with pen and watercolour. The first image gives a good sense of her process.

Pen and watercolour by Barbara

Pen and watercolour by Barbara

Pen and watercolour by Barbara

Pen and watercolour by Barbara

Pen and watercolour by Barbara

Pen and watercolour by Barbara

We worked hard and enjoyed ourselves in Pen and Ink Studio. Why don’t you join us this spring? I’ll be back at DVSA to teach a series of four one-day workshops in pen and ink and watercolour. Click on DVSA and you’ll find all of the information.

Winter Saturday and Tuesday Watercolour Classes – Brass!

03/03/2017

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Here are two views of our still-life from the Saturday and Tuesday watercolour classes at Arts on Adrian in Toronto.

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Saturday class is an all day affair and I suggested that the students take the time to do a small warmup painting. I used a flat angled brush for my demonstration and worked very quickly. As I painted, I discussed various aspects of the still-life. Fast and messy, this painting is not an end in itself but part of a process. A warmup painting can help the student identify potential problems and challenges before tackling a sustained piece.

Watercolour demonstration by Barry Coombs

Several of the students followed my lead before settling into a more sustained painting.

Sustained Saturday Critique

Sustained Saturday Critique

Tuesday classes are three hours in duration. I decided to discuss the drapery behind the objects. My demonstrations simplify the folds as much as possible.

That’s it for Winter term at Arts on Adrian. I’ll be posting my Spring calendar soon!

Watercolour demonstrations by Barry Coombs

Tuesday Afternoon Critique

Tuesday Afternoon Critique

Tuesday Evening Critique

Tuesday Evening Critique

 

Pen and Ink Studio at DVSA – Week Seven!

24/02/2017

img_5951

NUTS! The students screamed in unison when I showed them the subject for our pen and ink drawings yesterday at the Dundas Valley School of Art. Well, I’m exaggerating. They always wonder what will emerge from my bag of tricks and they’re forever keen to test their skills.

We covered a lot of ground yesterday. Let’s start with my demonstration. I drew a dish in pencil.

Step one of pen and ink demonstration by Barry Coombs

Next, I added some nuts. Two in the dish and one in front of it. I decided on a light source coming from the upper right. Look at the little study on the bottom right of the sheet. This helped me simplify the light and shadow pattern on my subject.

Step two of pen and ink demonstration by Barry Coombs

Those messy pen lines on the upper sheet are a result of another demonstration. The students asked me for my thoughts on using a traditional metal nib with a bottle of India ink. We’ve been using disposable sketching pens for our drawings in class. No muss, no fuss! The traditional tools can be messy. Spills. Heartbreaking blobs in the middle of a drawing you’ve spent hours on. So, the disposable pens are fine for our learning process. However, the metal nib, used thoughtfully and with care, can give a drawing a special quality.

The next image shows my setup and tools. The paper is Strathmore Bristol, vellum surface. The nib is a School 56 and it’s in a wooden holder. My ink is Speedball Super Black India Ink, my favourite! The wide mouth and base help prevent spills. The white tester card helps prevent blobs. I test the pen every time I dip it in the ink before I touch my drawing. I also clean my nib every 5 minutes or so with paper towel and an organic nib cleaning fluid (spit). Oh, and there’s my demonstration again with most of the ink work completed.

Step three of pen and ink demonstration by Barry Coombs

The students enjoyed the nuts.

Pen and Ink Studio Critique

Pen and Ink Studio Critique

Before I sign off, let’s take a moment to look at some of the personal projects. The sunflowers are a work in progress by Vicky. This is a full sheet of watercolour paper and she’s using calligraphy dipping nibs. I took this photo at the start of the class yesterday so there’ll be a lot more to see next week.

Pen and watercolour by Vicky

Pen and watercolour by Vicky

Here’s another drawing by Val. It’s a small piece, approx. 9 x 12″, and she’s combined pen with watercolour.

Pen and watercolour by Val

Pen and watercolour by Val

That’s it, in a nutshell! There’s one more week of Pen and Ink Studio at DVSA. I’ll be offering four one-day pen workshops this spring and they’re already posted on the DVSA website. Join us!