Archive for the ‘Art Workshops’ Category

San Miguel de Allende, Mexico – Another Successful Workshop!

03/04/2017

We’re back home, safe and sound, after another wonderful ten creative days in San Miguel de Allende. Last Tuesday was a free day. On Wednesday morning, we walked up to Plaza San Antonio with it’s striking white church.

I brought my easel along to do an on-site demonstration. We could see the mountains beyond the buildings that surrounded the square. As usual, I discussed my thoughts and decisions as I painted.

It’s always advisable to paint in the shade, especially in Mexico! Fortunately, Plaza San Antonio has plenty of shade and much to paint.

We had a great day and finished off with a critique at our studio. Sadly, we’re down to nine painters. One of the students had to cut her painting holiday short because of a business trip. Aren’t careers a nuisance?

A few of the students followed my lead and painted the same view I did with my demo. That’s not something I recommend necessarily but there are many ways to learn and absorb ideas from an instructor.

Wednesday Critique a

Wednesday Critique b

We met in our studio again for my demonstration on Thursday morning. There had been quite a demand for a figure demonstration and I bowed to the requests. My two figures were both started with pencil. Using a cool grey wash, I painted the shadows on the gent to the left. When the washes were dry, I glazed on the local colours. I started directly with local colour for the lady on the right and left a fair bit of paper white to suggest light. I let the washes dry before adding the penwork.

One of my favourite painting spots in SM de Allende is the Instituto Bellas Artes. It’s a shady and peaceful art and music school. Our students settled into the spots of their choice while listening to relaxing live guitar music. Later on, the musical program changed to piano emanating from an upper floor studio.

Another treat at Bellas Artes are the many murals painted by past instructors and students.

We thanked Bellas Artes for hosting a soothing and inspiring day of painting and sketching. It was time for critique, once again.

Thursday Critique a

Thursday Critique b

Alas, Friday was our last day of painting together. We strolled up to Parque Guadiana, a tranquil park in a pretty residential neighbourhood. I did a brief demonstration at my easel. It was really an illustrated review of some of the things we’d discussed to date. Once the students settled down to work, I painted two small works that took about 45 minutes each. I later showed them to the group and explained my thoughts and process.

Friday critique was held in our hotel studio.

Friday Critique a

Friday Critique b

Our painting time had come to an end but we had one more event to celebrate on Saturday; Final Critique. It’s a chance to summarize our time together. Each student selects three of their works and tells us a bit about them and their overall experience. Here is the SM de Allende Class of 2017 (in alphabetical order)!

Fiona

Frances

Ian

Michael

Orshy

Phil

Renate

Susan

Let’s not forget our missing painter, now attending a conference in India.

Karen

That’s all, amigos. I’m grateful to this year’s participants for their good nature and hard work. Thanks go to Jim Nikiforos of Air Transat Travel for his efforts and to those of you who have liked and commented on our adventures. Hasta luego!

San Miguel de Allende, Mexico 2017

28/03/2017

 

Hola, amigos! We’re back in beautiful San Miguel de Allende. We arrived last Thursday afternoon at the Posada de la Aldea and our first group event was a delicious Welcome Dinner. On Friday morning, I led an orientation walk around town so that everyone could get their bearings. The group had the rest of the day on their own.

Our first day of sketching and painting was Saturday. We met at 9am sharp in a shady spot in the hotel courtyard for a lesson/demonstration. The plan was to work in the courtyard for the day. I discussed subject selection and simplification.

The courtyard has plenty of charm and our artists were not short of inspiration.

We wrapped up the day in our studio with a critique.

Saturday Critique a

Saturday Critique b

The lovely local park, Parque Benito Juarez, was our painting site for Sunday. We met in our studio for my demonstration prior to walking over to the park. I wanted to prepare the students for some of the creative challenges they would encounter and foliage was the first priority. I also discussed some architectural elements.

Another great day followed by an enjoyable critique.

Sunday Critique a

Sunday Critique b

We decided to throw caution to the wind on Monday and paint in the Jardin, the main square. There are lots of people but there is plenty of shade, as well. Before we went up to the Jardin, I gave a demonstration in our studio. Arches were on the menu.

It’s very pleasant to return to our studio at the end of a sunny day outdoors. Our Monday critique went extremely well. Tuesday is a free day; shopping, exploring and relaxing. We’ll be back at it on Wednesday morning. Hasta luego!

Monday Critique a

Monday Critique b

Grand Manan Island – Final Day!

05/08/2016

One week ago this morning we met at our studio to start the final day of my annual sketching and watercolour painting workshop on Grand Manan Island. As usual, I began with a lesson/demonstration.

IMG_5816

Watercolour demonstration sheet by Barry Coombs

I don’t follow a course outline for any of my workshops. Also, I don’t teach just my ‘style’ although I do present elements of it, if and when appropriate or upon request. I teach fundamentals and principles; techniques and concepts.

Friday morning was foggy. I showed an approach to fog. I also responded to what I had seen of the student’s work the previous day at Dark Harbour. One more thing! I talked about colour and contrast and how they can be used to create a focal point. As soon as I was done, we were off to Fisherman’s Haven Lane in Ingall’s Head.

Fe

Ff

Fg

Fc

Fd

Fh

What a week! A little bit of fog and a few tentative drops of rain as we packed up to head back for critique. Other than that, we enjoyed almost 100% sunshine. Friday was a busy day, overall. We looked at the work from the day. Then, we dispersed to our accommodations to prepare for our Farewell Dinner at the Marathon Inn. Steak or lobster? The big event followed dinner. It was time for our Final Critique; a summary of our week together. And, of course, our group photo taken by the generous and talented David Ogilvie.

It was a great evening and the perfect way to wrap up our week. I’ll be back next year from Sunday, July 30 – Friday, August 4. Details will be posted soon on this blog. Thanks for following, liking and commenting and don’t leave before taking a peek at our group photo and the work from Ingall’s Head!

Friday Critique a

Friday Critique a

Friday Critique b

Friday Critique b

Grand Manan 2016 Courtesy: David Ogilvie

Grand Manan 2016
Courtesy: David Ogilvie

Grand Manan Island 2016 – Wednesday and Thursday!

03/08/2016

We started at the studio again last Wednesday morning. I had prepared a demonstration on Tuesday at Woodward’s Cove and photographed the first three steps, which I showed on my computer screen.

Step One

Step One

You can probably see the faint pencil lines under the washes in Step One. The washes have been applied in two ways. In some, such as the boat hull, I painted the shape with water and added the colour to the upper area while wet. In the roof, I painted a light grey wash and added the darker grey while wet.

Step Two

Step Two

I continued with the same process and added more shapes. Washes were allowed to dry before adding new ones.

Step Three

Step Three

All of the big shapes are in place. I’ve left the white of the paper in a few areas because I’m about to add flowers in Step Four.

Step Four

Step Four

Overall, I’ve used a ‘light to dark’ and ‘big to small’ approach. As mentioned, I wanted to paint the flowers over clean white paper. The yellows and pinks would lose their intensity if there was a grey or greenish wash underneath. This painting isn’t finished but it’s as far as I took it on Wednesday morning. It was time to hit the road for Seal Cove!

Wed-b

IMG_2970

The old herring smokesheds and piers of Seal Cove provide endless subject matter for our artists. It’s a magical place. Everyone settled in. It was another sunny day so shady spots were sought out.

Wed-a

Britta at work

Wed-f

Wed-e

Wed-d

It’s always nice to wind up the day at our studio. We’d all had enough sun and, of course, it’s easy to tape the work up on the wall. Here they are; the sketches and paintings from Seal Cove.

Wednesday Critique a

Wednesday Critique a

Wednesday Critique b

Wednesday Critique b

You guessed it! We met at our studio again on Thursday morning. A few days earlier, I’d made a small watercolour study in North Head Harbour. I wanted to add pen to it and this was my opportunity.

Step One

Step One

I discussed the basic pen techniques; hatching, cross-hatching, stippling and line variety. I love working with pen and wash and I try to present my thoughts at least once during all of the ‘en plein air’ workshops I teach.

Step Two of pen and watercolour demonstration by Barry Coombs

Step Two

Our painting spot for Thursday was Dark Harbour, surrounded by towering cliffs, on the west side of the island. The small harbour is used mostly by those who collect dulse, an edible seaweed, and dories are their workhorses.

Thurs-k

Thurs-i

Thurs-c

Thurs-h

Thurs-j

Thurs-d

Thurs-g

The critique is a very important part of the painting day. I make my comments and I try to be positive and encouraging. The students get my feedback and also learn a lot from each other. It’s an enjoyable and educational aspect of the workshop.

One more day to go! As always, thanks for following, liking and commenting. While I prepared this post, my blog received it’s 171,000th view and I appreciate them all.

Thursday Critique a

Thursday Critique a

Thursday Critique b

Thursday Critique b

 

Grand Manan Island 2016 – First Two Days!

01/08/2016

IMG_3201

Last Monday morning, the participants in my 2016 sketching and watercolour painting workshop on Grand Manan Island gathered at our studio in North Head. We had all met each other the evening before at the Marathon Inn, where we enjoyed our delicious Welcome Dinner.

I kicked off our week with a discussion/demonstration and my theme was skies and water. It’s a broad subject! I presented a few relevant techniques and emphasized some basic principles and processes. In addition to that, I gave a lesson on drawing basics to the new students. Perspective and the use of a measuring stick were the main topics. The students dispersed to paint and draw in the village of North Head. Over the course of the day, I visited the artists and offered feedback.

Watercolour demonstrations by Barry Coombs

Stewart and Karen at work

Kathleen and Marlene at workMon-bDave at work

IMG_0172

Lauren at work

At the end of the day, we re-grouped at our studio for our first critique. Our week was off to a great start!

Monday Critique a

Monday Critique a

Monday Critique b

Monday Critique b

We met at our studio again on Tuesday morning. I did something a little bit different and showed a selection of watercolours and drawings from the late Saint John artist Jack Humphrey. Here are two of his works from Grand Manan Island courtesy of the National Gallery of Canada. I’ve always enjoyed the simplification and spontaneity of his work.

Village, Grand Manan-JH

Village, Grand Manan by Jack Humphrey

Village, Grand Manan by Jack Humphrey

Village, Grand Manan by Jack Humphrey

Our venue was Woodward’s Cove. It’s quite a unique spot as the harbour completely drains of water at low tide and fills right up again at high tide. It was another sunny day so many of our painters sought out shade and some had even brought their own.

Artists at work

LIz at work

Tues-b

Here’s the harbour at low tide.

Tues-c

Tues-f

Tues-d

Tues-f

Tues-g

About six hours later, the harbour had filled up again. Shortly after, we returned to our studio to look at the day’s work. Thanks for following and stay tuned. There’s lots more to come from beautiful Grand Manan Island.

Tuesday Critique a

Tuesday Critique a

Tuesday Critique b

Tuesday Critique b

 

Plein Air Toronto 2016- Days Two and Three!

20/06/2016

Last Tuesday, we visited Kew Gardens and Beach in the east end of Toronto. It’s a lovely, shady spot with gardens, sporting facilities and lots to paint. One of the highlights is the Gardener’s House.

IMG_2224

I wanted to discuss some basic thoughts about foliage and it’s relationship to architecture. As you can see, I set up my easel in the beautiful sunshine. If you’ve ever attended one of my outdoor workshops, you’ll know that I don’t advise painting in the sun. It’s very hard to see what you’re doing and the watercolour dries more quickly than desired. In this case, I wanted the paint to dry quickly so I could illustrate my ideas without taking too much time.

IMG_5086

Watercolour demonstration by Barry Coombs

Watercolour demonstration by Barry Coombs

Following the demonstration, I joined some of the new students for a discussion of perspective and the use of a measuring stick. Familiarity with a measuring stick can help us understand the angles of buildings.

IMG_5090

We had a special guest on Tuesday. Jay Holobach is an artist from Nashville, Tennessee. He’s spending a lot of time in Toronto this summer and I thought I’d extend some good old Canadian hospitality and invite him to paint with us for the day. Jay works in oils and our watercolour painters enjoyed his company and his work.

Jay Holobach

Kim and Katie at work

Phil at work

Elizabeth at work

Speaking of things Canadian, what better spot for our critique than a hockey rink! Nice boards for taping our paintings and sketches and the sun on our backs. Several hundred puck marks set off the work to great advantage.

IMG_2252

Tuesday Critique a

Tuesday Critique a

Tuesday Critique b

Tuesday Critique b

We don’t often paint downtown but we did on Wednesday! The Roundhouse was our venue and it hosts the Toronto Railway Museum and Steam Whistle Brewery. Not only that; the Roger’s Centre (home of the MLB Blue Jays), the landmark CN Tower and the Ripley’s Aquarium surrounded us.

IMG_0439

I wanted to discuss pen combined with watercolour. Many of the regular students have seen my approach to pen and watercolour so I let them get to work. I gathered a smaller group of the new students and took them through the steps of a drawing of this building.

IMG_2275

Step one of pen and watercolour demonstration by Barry Coombs

Step One – pencil and wash

Step two of pen and watercolour demonstration by Barry Coombs

Step Two – Colour

Step Three - Pen

Step Three – Pen

IMG_5126

I photographed the steps on my iPad and showed them to the rest of the group as I did my rounds over the course of the day. In addition to that, I completed two more sketches with pen and watercolour.

Pen and watercolour demonstration by Barry Coombs

Pen and watercolour demonstration by Barry Coombs

There is no shortage of subject matter at the Roundhouse. The trains and buildings were very popular with our artists.

IMG_2277

IMG_2276

IMG_2272

We found another good critique spot at the end of the day. The Don Station building provided a convenient wall and lots of shade. After critique, we headed to a nearby restaurant for dinner and drinks and a chance to get to know each other. I hope you’re enjoying our Plein Air Toronto week. Look for my next post a few days from now.

IMG_5129

Wednesday Critique a

Wednesday Critique a

Wednesday Critique b

Wednesday Critique b

 

Plein Air Toronto 2016 – Day One!

18/06/2016

Last Monday morning, my annual Plein Air Toronto workshop, a week of sketching and painting in watercolour, began at the Arts on Adrian studio. I had a prepared a demonstration dealing with basic approaches to painting skies and clouds.

Studio Demo

Skies are always a challenge, especially in watercolour. I had painted a few sheets ahead of time and I completed one sheet while the students watched. By the way, the sky in the upper right corner is upside down!

Sky in watercolour demonstration by Barry Coombs

I also brought in a few books. We took a careful look at skies painted by some of the great English watercolour painters of the past as well as some by the American, Winslow Homer and Canadian artist, Frederick Hagan.

Here are some more sky studies I showed to the group. Some have been created with a soft edge (wet into wet) process and some are a combination of soft and crisp edges. Some were done in one step and others took two or three steps to complete.

Sky in watercolour demonstration by Barry Coombs  Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

It was time to head out of doors and the Sunnyside Pavilion on the shore of Lake Ontario was our destination. Upon arrival, we settled in for the rest of the day.

IMG_2167

Sarah at work  Evelyn at work

Barb at work

Marian at work

Ian, Wendy and Olwen at work

Emily at work

It was a great start to our week. At the end of the day, we gathered for our critique and discussed our plan for Tuesday. Stay tuned! Our activities from last Tuesday and Wednesday are coming soon.

Monday Critique a

Monday Critique a

Monday Critique b

Monday Critique b

 

 

Introduction to Pen with Wash and Watercolour at DVSA

27/05/2016

I was back at the Dundas Valley School of Art yesterday to teach the third workshop in a series of four. Our first two days focused solely on pen drawing and yesterday we added wash and watercolour to the mix.

Photo of drawing subject by Barry Coombs

Our first subject was two cardboard gardening containers. I provided this photograph to each student. I’d taken care to light the objects so that we could focus on values. After drawing the objects in pencil, we added a monochromatic (one colour) wash to the overall areas of shadow. When the wash was dry, we worked with our pens and added much more information about the forms.

Pen and watercolour demonstration by Barry Coombs

Our second exercise was particularly interesting. I gave each student a small figurine of a teddy bear. We talked about the drawing aspect of the exercise including proportion and light and shadow. This time, we didn’t have a photograph of well-lit teddy bears to work from. We decided on a light direction, upper left or right, and analyzed the forms of the bears and how they would receive the light. Our goal was to make the bears look three-dimensional.

Drawing lesson by Barry Coombs

We did this drawing in four steps. Sorry! I didn’t have time to photograph all of the steps. First: we drew the bears in pencil. Second: we painted a blue-grey middle value wash in the shadow areas of the bears and allowed it to dry. Third: we painted the local colours. For example, the green shirt and the blue overalls. Our final step was the pen. We used it to enhance the shadows and add texture and detail.

Pen and watercolour demonstration by Barry Coombs

My goal was to introduce the students to a few ideas about combining pen with wash and watercolour. My hope was that they take home a good experience and apply it to their own sketching and drawing. It was an enthusiastic group and we had lots of fun while working hard on the projects. Have a look at what they created below. Next week, I’ll be back at DVSA for the fourth and final workshop in the series; Pen with Wash and Watercolour – Drawing People!

Cardboard Pots Critique

Cardboard Pots Critique

Teddy Bears Critique

Teddy Bears Critique

Plein Air Toronto 2016

17/03/2016

Sketching and Watercolour Painting
Toronto, Ontario, Canada
June 13 – 17, 2016

TOann  TOme

Take a plein air painting holiday in your own backyard! The beautiful parks, gardens and historic sites of Toronto, Ontario are the venue for this exciting week of sketching and painting. Five special sites will be visited. Each day we will meet at a different location and begin with a demonstration. The painting day will conclude with a constructive critique. Participants will be provided with directions and detailed information (washrooms, cafes) about each site. We will paint ‘rain or shine’ as several of our sites have overhead shelter.

Click here to see demos and photos from a past Plein Air Toronto Week.

Our workshop will focus on watercolour painting, pen and ink sketching and pen drawing with wash. Participants working in other media are very welcome. Demonstrations, individual attention and constructive critiques are essential elements of this creative learning experience. This workshop is for participants with some previous experience in their chosen medium.

WHAT WILL YOU LEARN? Barry has extensive teaching experience and is able to bring out the best in painters of different levels of skill and experience. He will introduce participants to new ideas and approaches to plein air painting and is very well-known for his insightful critiques. His solid grounding in the traditional fundamentals of drawing, watercolour technique, colour and composition benefits all participants. His own watercolours, featured in the April 2013 issue of the UK’s Leisure Painter magazine, are colourful and playful and loosely inspired by Cubism. At some point in every workshop, he will discuss his recent work and is quite happy to provide guidance to anyone interested in trying this fascinating creative process.

A graduate of the Ontario College of Art, Barry Coombs has led workshops in Ontario, Quebec and Maritime Canada for over twenty years as well as many international workshops in England, Italy, France, Greece and Mexico. He is noted for his positive and constructive attitude and ability to work with students of all levels of skill and experience. Barry exhibits his work locally and internationally and represented Canada at the G20 World Artist Festival in Seoul, South Korea in 2010.

TOgroup  TOjean

THE WORKSHOP FEE OF CDN $400 (HST included) INCLUDES:
• Tuition for five painting days; Monday to Friday from 10am – 4pm

THE WORKSHOP FEE OF CDN $400 (HST included) DOES NOT INCLUDE:
• Some entry and ferry fees which will not exceed CDN $25
• Parking

GETTING TO OUR PAINTING SITES
Participants will be provided with directions and detailed information (washrooms, cafes) about each site. We will paint ‘rain or shine’ as several of our sites have overhead shelter. All of our sites will be accessible by car or by public transit. It is possible to arrange carpooling if prior notice is given.

ARE YOU FROM OUT OF TOWN?
Contact Barry Coombs at info@barrycoombs.ca for help with planning your trip and your stay in Toronto.

HOW TO REGISTER
Contact Barry Coombs at info@barrycoombs.ca or use the contact form below to register. Registration will be confirmed when a non-refundable deposit of $100 is received. At that time a material list will be provided. The balance of $300 is due no later than Friday, June 3, 2016.

CANCELLATION
After June 10, 2016 the workshop fee is non-refundable. If the workshop is cancelled by Barry Coombs, for any reason, a full refund will be made.

More from San Miguel de Allende, Mexico!

14/03/2016

Watercolour demonstration by Barry Coombs

We were back at our studio on Wednesday morning. Our plan was to paint at the Instituto de Bellas Artes, a beautiful and historic building with a lovely courtyard surrounded by lots of arches. As you can see, I presented a few ideas about arches to the group.

Following my demonstration, we headed up to the Instituto and settled in to work. The Instituto hosts an excellent art and music school. As well as this guitar-making workshop, there are frescoes  and studios throughout.

IMG_0768

IMG_0772

Nancy at work

IMG_0782

NIck at work

IMG_5471

Kate at work

It turned into a surprisingly windy day! Not everyone finished their work but that wasn’t so much due to the wind as it was the ambitious choice of subject matter. It took quite a while to sort out the perspective of the arches for some of our painters. Still, it was another good day and we enjoyed the critique back at our studio.

Wednesday Critique a

Wednesday Critique a

Wednesday Critique b

Wednesday Critique b

I’ve been leading workshops here in the month of March for a dozen years or so. On occasion, we get a thunderstorm overnight or in the very late afternoon. This year, we experienced a meteorological rarity; rain and cool temperatures during the day. On Thursday, I had hoped to paint in the Parque Guadiana, a quiet and peaceful spot. Due to the weather, I changed the plan. I started off in the studio with some more thoughts about foliage. After that, I suggested the group stay close to home and they did. Some worked from the inside of the hotel and looked out windows at their subjects.

Watercolour demonstration by Barry Coombs

IMG_0789

The hotel cat stayed dry and the rain didn’t last long but the plan stayed the same. Have a look at the work from Thursday.

Thursday Critique a

Thursday Critique a

Thursday Critique b

Thursday Critique b

The sun was shining Friday morning and we walked up to Parque Guadiana right away. It’s a sweet spot; a garden-like park surrounded by gorgeous villas. As it happened, we weren’t the only painters in the park.

IMG_0812

Stew and Frances at work

IMG_0805

Marike at work

IMG_0809

IMG_0810

It was a very pleasant day and the last scheduled painting day of our workshop.

Friday Critique a

Friday Critique a

Friday Critique b

Friday Critique b

Saturday was another day of freedom for our participants. Shopping was on many agendas but most spent some time working on their paintings and drawings, as well. We got together in the studio for Final Critique late in the afternoon. Each artist chose three works and told us a bit about them and why they’d selected them. It was a great way to wrap up our workshop.

Thanks for following our creative adventures. I now give you, in alphabetical order, the Class of 2016!

Carolyn

Carolyn

Frances

Frances

Karen

Karen

Kate

Kate

Marike

Marike

Nancy

Nancy

Nick

Nick

Stewart

Stewart