Pen and Watercolour: Texture and Composition at DVSA!

Last Thursday, I was at the Dundas Valley School of Art to present a one-day workshop. Our primary goal was to combine pen and watercolour to create interesting textures and apply them to this unique still-life. There are many ways to create texture with watercolours. Some of the more contemporary processes can involve the use of salt, saran wrap and scraping with credit cards. We did experiment with wax as a resist material, but I focused more on what the paint itself could do and on brush-handling. Wet touching wet and it’s polar opposite, drybrush, were discussed. We started out by trying the different ideas on a work or study sheet. This allowed for experimentation and play.

Next, we all painted a sheet of studies of some of the objects in the still-life. The first step was pencil drawing followed by watercolour.

The final step was the pen. Many artists prefer to do the pen work first and then ‘tint’ the drawing with watercolour. I favour doing the watercolour first followed by the pen. Neither approach is right or wrong. One way may suit a certain goal more than the other.

Here are the studies created by the students.

Thursday Critique a

After lunch, we talked about selecting a composition from the still-life and began work on a sustained piece. My demonstration shows how I zoomed in and cropped an area of the still-life. Also, I created a ‘background’ from my imagination and memory.

Pen and watercolour is a great combination whether you use it in your sketchbook or for more sustained work. The students all would have liked a bit more time to work on their efforts. I take the blame for that. On Thursday, May 30, I’ll be back at DVSA for another day entitled Pen and Watercolour: More Texture and Composition. There will be a different, but equally interesting, still-life and I guarantee more time to spend on the sustained compositions. In the meantime, have a look a the work and don’t forget to click on any critique image to view a larger version.

Thursday Critique b

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