Posts Tagged ‘Sketching’

Barry’s Birds for Wood Duck magazine – February and March

14/03/2017

These pen and ink drawings were my submissions for the February and March issues of the Wood Duck, the magazine of the Hamilton Naturalists’ Club. The monthly feature is called Barry’s Birds.

Eastern Screech-Owl –
February

Red-bellied Woodpecker –
March

Pen and Ink Studio at DVSA – Week Eight!

06/03/2017

Sadly, our Pen and Ink Studio at the Dundas Valley School of Art has come to an end! Last Thursday was our eighth afternoon together. Every day I presented a project. Some of the students tried the projects and some worked on their own with my guidance and feedback. Some did both.

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I brought in the fleet for our daily project. My demonstration was done in a few steps. First of all, I drew my boat in pencil but I added several features that weren’t present in my little model. Also, I added local colour with watercolour. Pen was the final step.

Step One of pen and watercolour demonstration by Barry Coombs

Step Two of pen and watercolour demonstration by Barry Coombs

The students also had a little fun with the boats and gave them personal touches.

Pen and Ink Studio Critique

Pen and Ink Studio Critique

It’s time to look at some of the other work that’s been done. We’ll start with this full sheet pen and watercolour piece by Vicky. She’s really pushed herself with this large format and has used calligraphy and lettering nibs for the penwork.

Pen and Watercolour by Vicky

Pen and Watercolour by Vicky

This is another large format piece. Elaine has planned this carefully but there’s still a lot to do. She masked out the area of the motorcycle and rider in order to paint the washes with broad strokes right across the sheet. She’s also been working on studies of the bike and rider and I think it will all pay off when she gets to the pen stage.

Pen and watercolour by Elaine

Pen and watercolour by Elaine

Finally, we have three works by Barbara. She’s been working on them as well as the daily projects. All are done with pen and watercolour. The first image gives a good sense of her process.

Pen and watercolour by Barbara

Pen and watercolour by Barbara

Pen and watercolour by Barbara

Pen and watercolour by Barbara

Pen and watercolour by Barbara

Pen and watercolour by Barbara

We worked hard and enjoyed ourselves in Pen and Ink Studio. Why don’t you join us this spring? I’ll be back at DVSA to teach a series of four one-day workshops in pen and ink and watercolour. Click on DVSA and you’ll find all of the information.

Pen and Ink Studio at DVSA – Week Seven!

24/02/2017

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NUTS! The students screamed in unison when I showed them the subject for our pen and ink drawings yesterday at the Dundas Valley School of Art. Well, I’m exaggerating. They always wonder what will emerge from my bag of tricks and they’re forever keen to test their skills.

We covered a lot of ground yesterday. Let’s start with my demonstration. I drew a dish in pencil.

Step one of pen and ink demonstration by Barry Coombs

Next, I added some nuts. Two in the dish and one in front of it. I decided on a light source coming from the upper right. Look at the little study on the bottom right of the sheet. This helped me simplify the light and shadow pattern on my subject.

Step two of pen and ink demonstration by Barry Coombs

Those messy pen lines on the upper sheet are a result of another demonstration. The students asked me for my thoughts on using a traditional metal nib with a bottle of India ink. We’ve been using disposable sketching pens for our drawings in class. No muss, no fuss! The traditional tools can be messy. Spills. Heartbreaking blobs in the middle of a drawing you’ve spent hours on. So, the disposable pens are fine for our learning process. However, the metal nib, used thoughtfully and with care, can give a drawing a special quality.

The next image shows my setup and tools. The paper is Strathmore Bristol, vellum surface. The nib is a School 56 and it’s in a wooden holder. My ink is Speedball Super Black India Ink, my favourite! The wide mouth and base help prevent spills. The white tester card helps prevent blobs. I test the pen every time I dip it in the ink before I touch my drawing. I also clean my nib every 5 minutes or so with paper towel and an organic nib cleaning fluid (spit). Oh, and there’s my demonstration again with most of the ink work completed.

Step three of pen and ink demonstration by Barry Coombs

The students enjoyed the nuts.

Pen and Ink Studio Critique

Pen and Ink Studio Critique

Before I sign off, let’s take a moment to look at some of the personal projects. The sunflowers are a work in progress by Vicky. This is a full sheet of watercolour paper and she’s using calligraphy dipping nibs. I took this photo at the start of the class yesterday so there’ll be a lot more to see next week.

Pen and watercolour by Vicky

Pen and watercolour by Vicky

Here’s another drawing by Val. It’s a small piece, approx. 9 x 12″, and she’s combined pen with watercolour.

Pen and watercolour by Val

Pen and watercolour by Val

That’s it, in a nutshell! There’s one more week of Pen and Ink Studio at DVSA. I’ll be offering four one-day pen workshops this spring and they’re already posted on the DVSA website. Join us!

Pen and Ink Studio at DVSA – Week Five!

12/02/2017

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Last Thursday afternoon was Pen and Ink Studio time at the Dundas Valley School of Art. I brought in my collection of milkweed pods. Natural forms are a very rewarding subject and the students enjoyed drawing them.

I showed a few different approaches to studying the milkweed. This is a demonstration from a past workshop. I started with a pencil drawing before adding a light wash of a sepia-like brown. When it dried, I added a second darker wash of the same colour. Once again, I waited for it to dry. The pen work was my final step.

Pen and wash demonstration by Barry Coombs

The next study is the one I worked on during the Thursday class. It was developed with local colour and then I explored it with the pen using mostly the technique of cross-hatching.

Pen and watercolour demonstration by Barry Coombs

Some of the students elected to use colour and others stuck with values of sepia. One of our students devoted the afternoon to her personal project and it’s coming along very nicely. I hope to post some of these projects soon!

Pen and Ink Studio Critique

Pen and Ink Studio Critique

Pen and Ink Studio at DVSA – Week Four!

03/02/2017

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I dipped into my treasure trove of drawing subjects yesterday and found an entire ancient realm of castles. Albeit, castles with the names of American resorts. They offered a great opportunity to discuss ideas about handling architecture with pen and ink.

Step one of my demonstration shows some a wet-in-wet wash over a pencil drawing. The wet wash was a combination of Raw Sienna and Cobalt blue, mingling in places to create a grey. The red roofs were added after the first wash dried.

Step one of pen and watercolour demonstration by Barry Coombs

I did a lot of work on the demo with the pen. Note that before I spent time on any details, I tried to establish the main shapes of light and shadow. We didn’t have table lamps available to light our castles, so we all tried to imagine a single light source. I decided upon a light source from the upper right.

Step two of pen and watercolour demonstration by Barry Coombs

The castles look complicated but they were a lot of fun to draw. The students did very well. We’re still missing a few holidayers but expect them back in the studio at the Dundas Valley School of Art next week.

Pen and Ink Studio Critique

Pen and Ink Studio Critique

Pen and Ink Studio at DVSA – Week Three!

27/01/2017

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Don’t wake up the cats! Yesterday, at the Dundas Valley School of Art, we focused on stippling and the cats were perfect models.

Have you ever tried stippling? I call it the personality test. Some people love it and find it very relaxing. Others…. Stippling is done with the tip of the pen. Basically, it’s an accumulation of tiny dots that gradually become shapes of ever-darkening values. It requires patience and it can be time-consuming. Also, one needs to preserve the white of the paper for the light areas. Stippling can be combined with other techniques. Yesterday, we concentrated on stippling on its own.

Stippling demonstration by Barry Coombs

The students all did a drawing of a cat. They also continued working on their personal projects. It was a good pace and the projects are coming along very well. We have a small Pen and Ink Studio group this term and a few are on their winter holiday at the moment. Maybe, the quieter studio was a bonus. The cats slept through the entire afternoon.

Pen and Ink Studio Critique

Pen and Ink Studio Critique

 

Barry’s Birds in the Wood Duck magazine

10/12/2016

My hobby is birding. As such, I’m a member in a few clubs and organizations. One of these is the Hamilton Naturalists’ Club. The club produces the Wood Duck magazine nine times a year, from September to May. I recently submitted a pen and ink drawing of an American Kestrel for the December issue. The editor liked it and suggested we make it a regular feature. Barry’s Birds has hatched and taken flight!

American Kestrel by Barry Coombs

American Kestrel
by Barry Coombs

Wood Duck, December 2016, Cover  Wood Duck, December 2016, P. 94

Pen, Wash and Watercolour at DVSA – Buildings and Trees!

04/11/2016

I had an enthusiastic and hard-working group of students at the Dundas Valley School of Art yesterday. Our medium was pen and ink with wash and watercolour. Our theme was buildings and trees. In other words, architectural elements and foliage. To start the class off, I presented some basic perspective elements that are very helpful when drawing buildings. I worked on a large pad at an easel and the students made notes in their sketchbooks.

It was time to draw! We did three projects over the course of the day. Each was started from a very simple diagram and then the students followed my steps. Our first drawing was of a tree and was completed in three steps. The first image shows two steps; the pencil drawing and a ‘sepia’ wash (mixed with Cobalt Blue and Burnt Sienna). In the second step, we used the pen. To create a sense of foliage, looping strokes were employed as if we were repeating Ws and Ms. The bark of the tree shows long zigzag strokes.

Step one of pen and watercolour demonstration by Barry Coombs  Step two of pen and watercolour demonstration by Barry Coombs

Our goal was to ‘suggest’ the textures of foliage and bark. Ws and Ms and zigzags may not always work but can be quite effective in many cases. We tried something a bit different with our next drawing. Again, our first step was a light and basic pencil drawing but this time we did the ink before the watercolour. We more or less scribbled with our pens. However, an angular approach was used in the main tree while a looping motion was used in the background bushes. The grass was suggested with a spiky action. The ink step was completed and then watercolour was applied.

Step one of pen and watercolour demonstration by Barry Coombs  Step two of pen and watercolour demonstration by Barry Coombs

Here’s a look at what the students achieved with our first two exercises.

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We did one more drawing in four steps: pencil, monochromatic wash, pen and watercolour. The first image shows the pencil and monochromatic wash. The wash establishes the light and shadow. This time, we did the pen next. The pen added definition and detail and it was fun to create new shapes such as the cat in the window. Lastly, we glazed some thin washes of local colour over the relevant areas.

Step one of pen and watercolour demonstration by Barry Coombs  Step two of pen and watercolour demonstration by Barry Coombs

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It was a busy and enjoyable day. I’ll be back at DVSA on Thursday, November 24. We’ll be using pen and watercolour to draw people and it’s going to be fun. There are still a few spots left so why don’t you join us?

 

Plein Air Toronto – Last Two Days!

22/06/2016

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Two days to go in our week of sketching and painting in watercolour! Last Thursday, we met at Riverdale Farm and painted in and around the farm and the adjacent Toronto Necropolis, a park-like and tranquil cemetery.

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I gathered the gang in the Necropolis for a demonstration. We deal with a lot of visual information while painting ‘en plein air’. One of our most important tasks is to find and preserve the light in our subject. A value study is likely the best way to do so and, using a mixture of Cobalt Blue and Burnt Sienna, I created a study in four values. The lightest value in my study is the white of the paper. It’s followed by a light middle tone, a dark middle tone and ultimately, the dark. Even the more experienced students found it helpful.

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Watercolour demonstration by Barry Coombs

I even ended up with an unintentional goofy face on my house. Following the demonstration, I spent some time with the newer students and presented a refresher of some basic watercolour techniques. After that, my job was to find everyone. They’d set up throughout the farm, park and cemetery.

Katie at work

Emily at work

Only a few of the group focused on the farm animals as subjects but I can’t resist showing you a few of the Riverdale residents.

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Later on, we found a quiet, shady spot for our critique. Plans were made for Friday, our final day together.

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Thursday Critique a

Thursday Critique b

Thursday Critique b

On Friday, we visited Black Creek Pioneer Village, an extensive and wonderful historic site. The buildings and artifacts offer many attractive opportunities for the artists and there are animals, as well.

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I set up under a shade tree and demonstrated at my easel. I chose a complicated subject and tried to simplify it with a watercolour sketch. I talk as I paint and attempt to describe the process and the decisions I’m making as the image develops.

Watercolour demonstraton by Barry Coombs

As usual, the group spread out to find inspiration. On a big site like Pioneer Village, it’s easy to lose track of a few of the painters. I now employ modern technology and text missing painters in order to find them.

Friday was the hottest day of our week but there’s no shortage of comfortable, shady spots at the village.

Evelyn at work

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Eventually, it was time for our last critique of the week. I appreciate the energy, enthusiasm and talent the participants shared at all of our great painting sites. Was there improvement? I think so. Aside from my efforts, they learn from each other and the critique is a very important part of the process. Have a look at Friday’s work! Thanks for following and feel free to leave a comment. Next year, consider Toronto for an ‘en plein air’ painting experience. We’ve had participants from all over Canada and the USA, as well.

Friday Critique a

Friday Critique a

Friday Critique b

Friday Critique b

Friday Critique c

Friday Critique c

 

Plein Air Toronto 2016- Days Two and Three!

20/06/2016

Last Tuesday, we visited Kew Gardens and Beach in the east end of Toronto. It’s a lovely, shady spot with gardens, sporting facilities and lots to paint. One of the highlights is the Gardener’s House.

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I wanted to discuss some basic thoughts about foliage and it’s relationship to architecture. As you can see, I set up my easel in the beautiful sunshine. If you’ve ever attended one of my outdoor workshops, you’ll know that I don’t advise painting in the sun. It’s very hard to see what you’re doing and the watercolour dries more quickly than desired. In this case, I wanted the paint to dry quickly so I could illustrate my ideas without taking too much time.

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Watercolour demonstration by Barry Coombs

Watercolour demonstration by Barry Coombs

Following the demonstration, I joined some of the new students for a discussion of perspective and the use of a measuring stick. Familiarity with a measuring stick can help us understand the angles of buildings.

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We had a special guest on Tuesday. Jay Holobach is an artist from Nashville, Tennessee. He’s spending a lot of time in Toronto this summer and I thought I’d extend some good old Canadian hospitality and invite him to paint with us for the day. Jay works in oils and our watercolour painters enjoyed his company and his work.

Jay Holobach

Kim and Katie at work

Phil at work

Elizabeth at work

Speaking of things Canadian, what better spot for our critique than a hockey rink! Nice boards for taping our paintings and sketches and the sun on our backs. Several hundred puck marks set off the work to great advantage.

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Tuesday Critique a

Tuesday Critique a

Tuesday Critique b

Tuesday Critique b

We don’t often paint downtown but we did on Wednesday! The Roundhouse was our venue and it hosts the Toronto Railway Museum and Steam Whistle Brewery. Not only that; the Roger’s Centre (home of the MLB Blue Jays), the landmark CN Tower and the Ripley’s Aquarium surrounded us.

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I wanted to discuss pen combined with watercolour. Many of the regular students have seen my approach to pen and watercolour so I let them get to work. I gathered a smaller group of the new students and took them through the steps of a drawing of this building.

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Step one of pen and watercolour demonstration by Barry Coombs

Step One – pencil and wash

Step two of pen and watercolour demonstration by Barry Coombs

Step Two – Colour

Step Three - Pen

Step Three – Pen

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I photographed the steps on my iPad and showed them to the rest of the group as I did my rounds over the course of the day. In addition to that, I completed two more sketches with pen and watercolour.

Pen and watercolour demonstration by Barry Coombs

Pen and watercolour demonstration by Barry Coombs

There is no shortage of subject matter at the Roundhouse. The trains and buildings were very popular with our artists.

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We found another good critique spot at the end of the day. The Don Station building provided a convenient wall and lots of shade. After critique, we headed to a nearby restaurant for dinner and drinks and a chance to get to know each other. I hope you’re enjoying our Plein Air Toronto week. Look for my next post a few days from now.

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Wednesday Critique a

Wednesday Critique a

Wednesday Critique b

Wednesday Critique b