Posts Tagged ‘art holidays’

Plein Air Toronto 2017 – Last Two Days!

28/06/2017

Click on our First Three Days if you somehow missed the last post. Day four of Plein Air Toronto 2017 was Thursday of last week and the weather, which had been tricky all week, took a turn for the worst. I made arrangements for us to sketch in pen and ink all day long and without any concerns about rain. The catch was that our plein air artists were going indoors for the day. We met in the morning at the Gardiner Museum, which is dedicated to historic and contemporary ceramic art.

It’s a beautiful museum but it’s difficult to gather the entire group at once for a demonstration or critique. I handed out a prepared sheet showing basic pen techniques in the morning. Later, I gathered a small group of pen and ink novices and sketched a Pre-Columbian figure as I discussed my thoughts.

It was a great day and don’t forget the excellent restaurant when you visit the Gardiner. Friday was yet another challenging weather day. However, I don’t have almost thirty years of experience for nothing. We met at University College on the lovely downtown campus of the University of Toronto.

The College has a large interior courtyard surrounded, on two sides, by wide colonnades. We were high and dry and had plenty of subject matter through the arches. Even the arches themselves attracted the eye of our artists.

I brought in some examples of pen and watercolour studies, done on the U of T campus, to get the morning started. As the group worked, I began a watercolour of my own for a change. Several of the new students expressed interest in my approach and process. I began with a sketch to resolve a composition and then drew it up on a sheet of watercolour paper.

  

I wasn’t able to finish the piece by the end of the day as I had teaching responsibilities. I pulled it together later in my studio.

Enough about me! Let’s have a look at our day at University College.

Eventually, it was time for our last critique of the week. The skies cleared just enough and we gathered one more time. What a great group! I thank them all for their cheerful participation and also thank you for following, commenting and liking the posts. Plein Air Toronto will be back next year. Now, for a look at the work from Friday.

University College
Critique a

University College
Critique b

Plein Air Toronto 2017 – First Three Days!

26/06/2017

One week ago, the 2017 Plein Air Toronto participants gathered at the Arts on Adrian studio in the west end. We introduced ourselves and I gave a demonstration that considered several common elements of the urban landscape we’d be painting for the next five days. We also discussed colour; green, in particular.

Following our meeting, we headed down to the Sunnyside Pavilion which is on the beach of Lake Ontario.

The Pavilion is a lovely place to sketch and paint, inside and out.

We put in a good day’s work and met inside the Pavilion for our first critique of the week. Click on an image for a larger version.

Sunnyside Pavilion
Critique a

Sunnyside Pavilion
Critique b

We met onsite at Riverdale Farm on Tuesday morning. It was a blustery day with a few showers but there was ample overhead shelter for us. This urban farm is bordered by a park on one side and a historic cemetery and chapel on the other. There’s lots of great subject matter to choose from including the charming cafe across the street.

I had prepared a demonstration ahead of time. My subject was the cafe and my painting was a value study in cool greys. I discussed my process and the importance of developing an eye for value.

Colour can be added to a study like this by gently ‘glazing’ washes over the appropriate areas. The grey washes should be completely dry before proceeding.

The group wandered around a bit to find their spots and then settled in. I kept a few of the newer folks back to talk about basic drawing and the use of a measuring stick to assist with perspective and proportion. I’ve developed a Drawing Checklist over the years and it can be very useful.

The little bit of rain didn’t deter us. It was a very productive day and we found a private and quiet spot for our critique.

Riverdale Farm
Critique a

Riverdale Farm
Critique b

Wednesday promised to be a day of sunshine and we chose historic Spadina House as our location. We met in the parkette between Spadina House and Casa Loma for my demonstration. I used an approach I call shape-reading, direct painting without any preliminary pencil drawing. Challenging but fun and very instructive. As I painted, I chatted about my thoughts and decisions.

We made the most of our sunny weather and gorgeous painting site.

It was a beautiful day and the paintings were equally lovely. Stay tuned for our final two days of Plein Air Toronto 2017. Coming soon!

Spadina House
Critique a

Spadina House
Critique b

 

 

San Miguel de Allende, Mexico 2017

28/03/2017

 

Hola, amigos! We’re back in beautiful San Miguel de Allende. We arrived last Thursday afternoon at the Posada de la Aldea and our first group event was a delicious Welcome Dinner. On Friday morning, I led an orientation walk around town so that everyone could get their bearings. The group had the rest of the day on their own.

Our first day of sketching and painting was Saturday. We met at 9am sharp in a shady spot in the hotel courtyard for a lesson/demonstration. The plan was to work in the courtyard for the day. I discussed subject selection and simplification.

The courtyard has plenty of charm and our artists were not short of inspiration.

We wrapped up the day in our studio with a critique.

Saturday Critique a

Saturday Critique b

The lovely local park, Parque Benito Juarez, was our painting site for Sunday. We met in our studio for my demonstration prior to walking over to the park. I wanted to prepare the students for some of the creative challenges they would encounter and foliage was the first priority. I also discussed some architectural elements.

Another great day followed by an enjoyable critique.

Sunday Critique a

Sunday Critique b

We decided to throw caution to the wind on Monday and paint in the Jardin, the main square. There are lots of people but there is plenty of shade, as well. Before we went up to the Jardin, I gave a demonstration in our studio. Arches were on the menu.

It’s very pleasant to return to our studio at the end of a sunny day outdoors. Our Monday critique went extremely well. Tuesday is a free day; shopping, exploring and relaxing. We’ll be back at it on Wednesday morning. Hasta luego!

Monday Critique a

Monday Critique b

Plein Air Toronto 2016 – Day One!

18/06/2016

Last Monday morning, my annual Plein Air Toronto workshop, a week of sketching and painting in watercolour, began at the Arts on Adrian studio. I had a prepared a demonstration dealing with basic approaches to painting skies and clouds.

Studio Demo

Skies are always a challenge, especially in watercolour. I had painted a few sheets ahead of time and I completed one sheet while the students watched. By the way, the sky in the upper right corner is upside down!

Sky in watercolour demonstration by Barry Coombs

I also brought in a few books. We took a careful look at skies painted by some of the great English watercolour painters of the past as well as some by the American, Winslow Homer and Canadian artist, Frederick Hagan.

Here are some more sky studies I showed to the group. Some have been created with a soft edge (wet into wet) process and some are a combination of soft and crisp edges. Some were done in one step and others took two or three steps to complete.

Sky in watercolour demonstration by Barry Coombs  Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

Sky in watercolour demonstration by Barry Coombs

It was time to head out of doors and the Sunnyside Pavilion on the shore of Lake Ontario was our destination. Upon arrival, we settled in for the rest of the day.

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Sarah at work  Evelyn at work

Barb at work

Marian at work

Ian, Wendy and Olwen at work

Emily at work

It was a great start to our week. At the end of the day, we gathered for our critique and discussed our plan for Tuesday. Stay tuned! Our activities from last Tuesday and Wednesday are coming soon.

Monday Critique a

Monday Critique a

Monday Critique b

Monday Critique b

 

 

More from San Miguel de Allende, Mexico!

14/03/2016

Watercolour demonstration by Barry Coombs

We were back at our studio on Wednesday morning. Our plan was to paint at the Instituto de Bellas Artes, a beautiful and historic building with a lovely courtyard surrounded by lots of arches. As you can see, I presented a few ideas about arches to the group.

Following my demonstration, we headed up to the Instituto and settled in to work. The Instituto hosts an excellent art and music school. As well as this guitar-making workshop, there are frescoes  and studios throughout.

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Nancy at work

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NIck at work

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Kate at work

It turned into a surprisingly windy day! Not everyone finished their work but that wasn’t so much due to the wind as it was the ambitious choice of subject matter. It took quite a while to sort out the perspective of the arches for some of our painters. Still, it was another good day and we enjoyed the critique back at our studio.

Wednesday Critique a

Wednesday Critique a

Wednesday Critique b

Wednesday Critique b

I’ve been leading workshops here in the month of March for a dozen years or so. On occasion, we get a thunderstorm overnight or in the very late afternoon. This year, we experienced a meteorological rarity; rain and cool temperatures during the day. On Thursday, I had hoped to paint in the Parque Guadiana, a quiet and peaceful spot. Due to the weather, I changed the plan. I started off in the studio with some more thoughts about foliage. After that, I suggested the group stay close to home and they did. Some worked from the inside of the hotel and looked out windows at their subjects.

Watercolour demonstration by Barry Coombs

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The hotel cat stayed dry and the rain didn’t last long but the plan stayed the same. Have a look at the work from Thursday.

Thursday Critique a

Thursday Critique a

Thursday Critique b

Thursday Critique b

The sun was shining Friday morning and we walked up to Parque Guadiana right away. It’s a sweet spot; a garden-like park surrounded by gorgeous villas. As it happened, we weren’t the only painters in the park.

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Stew and Frances at work

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Marike at work

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It was a very pleasant day and the last scheduled painting day of our workshop.

Friday Critique a

Friday Critique a

Friday Critique b

Friday Critique b

Saturday was another day of freedom for our participants. Shopping was on many agendas but most spent some time working on their paintings and drawings, as well. We got together in the studio for Final Critique late in the afternoon. Each artist chose three works and told us a bit about them and why they’d selected them. It was a great way to wrap up our workshop.

Thanks for following our creative adventures. I now give you, in alphabetical order, the Class of 2016!

Carolyn

Carolyn

Frances

Frances

Karen

Karen

Kate

Kate

Marike

Marike

Nancy

Nancy

Nick

Nick

Stewart

Stewart

 

San Miguel de Allende, Mexico – We’re here!

08/03/2016

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We’re back for my annual painting workshop in beautiful SM de Allende! We arrived last Thursday evening and took it easy on Friday, getting to know the town after our day of travel. The painting began on Saturday morning with a demonstration. I discussed some of the visual elements that the students would encounter while here.

Watercolour demonstration sheet by Barry Coombs

Many of the group have a keen interest in combining pen and ink with watercolour. I stuck to pen without watercolour for our first day and presented some ideas about the medium as applied to our hotel courtyard.

Pen and ink demonstration sheet by Barry Coombs

The courtyard is spacious and lovely and offers no end of stimulating subject matter for our artists. We settled in for a very creative day.

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It was back to the studio at the end of the day for our constructive critique. It looks like a good start to our ten-day workshop. By the way, we have an acrylic painter in the midst of our gang of watercolourists.

Saturday Critique a

Saturday Critique a

Saturday Critique b

Saturday Critique b

As the students painted on Saturday, I made a small watercolour. The plan was to add ink to it as a demo the next morning.

Watercolour demonstration by Barry Coombs

We gathered again on Sunday morning and, as promised, I discussed the use of pen with watercolour.

Pen and watercolour demonstration by Barry Coombs

After the demo, we headed off for a day at the local park, Parque Benito Juarez. It’s a pleasant and peaceful place and we enjoyed a productive day. Back at the studio, we had a look at our efforts.

Sunday Critique a

Sunday Critique a

Sunday Critique b

Sunday Critique b

EMERGENCY DEMO!!! Several of our artists had trouble with the plentiful foliage in the park. Some were drawing or painting the pillars that can be found throughout the park. At the Sunday critique, I did a simplified treatment of a foliage background. The idea is to complement the pillar, which is the main subject.

Watercolour demonstration by Barry Coombs

I devoted our Monday morning demonstration to the figure with pen and watercolour. Over a pencil drawing, I created the shadows with a wash of Cobalt Blue and Burnt Sienna. This established the light and shadow on the figures.

Step One - Pen and watercolour demonstration by Barry Coombs

My next step was to add ‘local colour’ to the sketch. The first wash was dry before I added the second.

Step Two - Pen and watercolour demonstration by Barry Coombs

I decided to save the pen step for later in the day. We cleared out of the studio and headed up to Plaza San Antonio to find some shady painting spots.

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Once again, we convened for our critique. I started off with the final step of my figure demonstration; the pen.

Step Three - Pen and watercolour demonstration by Barry Coombs

Monday Critique a

Monday Critique a

Monday Critique b

Monday Critique b

Tuesday is a free day to explore SM de Allende. Don’t touch that dial! We’ll be back with more of our creative adventures in sunny Mexico soon.

Ragusa, Noto and more from Siracusa!

22/10/2015

Ragusa c

Monday was the day for our trip to the splendid baroque towns of Ragusa and Noto. We started with Ragusa and followed our knowledgeable and entertaining guide, Francesca, from site to site before enjoying a traditional Sicilian lunch.

Ragusa a

Ragusa b

Noto was our next destination. It’s absolutely gorgeous with it’s honey-coloured stone.

Noto a

Noto b

Noto c

Tuesday was a painting day and our transport picked us up at 9am for the short drive to the archeological park. The weather was somewhat threatening and a few raindrops fell as I demonstrated at my easel. Sometimes, a simple and quick demo is just the ticket so I finished up so the group could get to work. Guess what? We had a great day. It was cloudy and there was distant thunder a few times but no rain.

ap a

ap d

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ap c

It was back to our room at the Hotel Gutkowski for a look at the work.

Tuesday Critique a

Tuesday Critique a

Tuesday Critique b

Wednesday didn’t start off well. The winds were high and the waves were higher and it was raining on and off.

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I decided to spend part of the morning presenting a sustained demonstration at the hotel. I worked back and forth on two sheets of figure studies. The first sheet portrays a group of fishermen that I photographed during our boat cruise. I apologize for the terrible photo of step one. I drew the group with pencil and followed that by painting in the shadows with a cool grey wash. When that dried, I added the local colour. For the final step, I developed the drawing with pen and ink.

Watercolour demonstration sheet by Barry Coombs

Watercolour demonstration sheet by Barry Coombs

I used a few different approaches on my second sheet. The drummer was done with a brush pen.

Watercolour demonstration sheet by Barry Coombs

It happened again! It was a very blustery day but didn’t rain much and the sun broke through several times. However, it was our last day in Siracusa so most of the group took some time off  for shopping and even for a performance at the puppet theatre. We also had to pack. Thursday was to be an easy travel day but we still needed to prepare for our next stop: Taormina!

 

 

 

 

 

 

 

 

 

Siracusa, Sicilia – We’re here!

18/10/2015

Hotel

Our tired group arrived in Siracusa last Thursday. We settled into our charming boutique hotel, Hotel Gutkowski, which faces the sea. We made our way to a local restaurant for our Welcome Dinner before finally getting a good night’s sleep.

Seawall

Friday was mostly a recovery day and the group enjoyed a free morning. In the afternoon, we met a local guide and enjoyed a walking tour of the Ortigia, the old town of Siracusa. We wandered the narrow streets and visited the beautiful Piazza Duomo. At the end of the tour, we found ourselves by the harbour. Boat tour, anyone? Why not?

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Umbrellas

Puppet Sign

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Saturday was our first full day of sketching and painting. We started off with my demonstration at the hotel. I discussed several of the common visual elements we would be encountering during our stay. After the demo, we headed to the Duomo.

Watercolour demonstration sheet by Barry Coombs

I always suggest that the participants find a shady spot. As you can see, some really paid attention.

Gillian at work

George at work

Joel and Sandra at work

Joanne and Elizabeth at work

We regrouped at the hotel at the end of the day for our first critique. Everyone enjoyed seeing each other’s initial impressions of Siracusa.

Saturday Critique a

Saturday Critique a

Saturday Critique b

Saturday Critique b

On Sunday morning, I led the group through the Ortigia and crossed a bridge to the mainland part of town. I knew of a special little harbour that is home to many of the small traditional fishing boats. I set my easel up there for my demonstration. I showed the group how I approach a drawing with lots of ‘planning lines’ before I added watercolour. The name of the boat is Felicia and my little study is now in the private collection of it’s fisherman owner.

Boat with eye

Harbour

Fishing Boats

Watercolour demonstration by Barry Coombs

Shady spots weren’t hard to find. This little harbour was a lovely spot to paint. Can you see the painters under the far wall?

Harbour with painters

We weren’t the only ones painting!

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Forgot your sketching stool? Don’t worry about it. The local fisherman were gentlemen and provided a comfortable perch for one of our painters.

Barb and Chair

Once again, it was back to the hotel for a look at our work. Tomorrow, we’re off to the baroque towns of Ragusa and Noto. Stay tuned!

Sunday Critique a

Sunday Critique a

Sunday Critique b

Sunday Critique b

 

 

 

 

Grand Manan Island – First Two Days!

28/07/2015

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Let me tell you about the Birds and the Bees. We’ve got a great group of painters this week on Grand Manan Island. Some are less-experienced than others and that’s the case for most workshops. I decided on our first morning, yesterday, to give some of my demonstrations for all participants and some for the newer painters. The new guys are getting some ‘back to basics’ and that became B2B and that became the Bees. The more experienced painters, who don’t need the basics, head off to paint outdoors right away and they are now the Birds. Some start the day as a Bee and take flight as a Bird later on.

We met at our studio yesterday, Monday morning, and after a talk with the Birds I discussed a few fundamentals with the Bees. We practiced basic soft-edge techniques and I suggested a simplification exercise that would give them experience without becoming too boring.

Watercolour demonstration sheet by Barry Coombs

Over the course of the day, everyone worked outside for at least a few hours. I visited the Birds where they were perched along the shoreline in North Head and offered them some feedback.

Stewart at Work

Artist at Work

We reconvened in the studio at the end of the day and had our first critique. I looked at the Birds and the Bees separately.

Monday Critique - Bees

Monday Critique – Bees

Monday Critique - Birds

Monday Critique – Birds

This morning, Tuesday, we met again in the studio. A thunderstorm raged outside for an hour or two and I discussed guidelines about painting water and reflections.

Watercolour demonstration sheet by Barry Coombs

Water can be a tricky subject but there are principles, based on observation, that can help. Our group paints outdoors and we don’t use materials like masking fluid so we try to solve the problems with our paint, brushes and paper.

Both Birds and Bees attended the demo and, when it wrapped up, we headed to Woodward’s Cove to paint. Woodward’s Cove is one of the island’s largest harbours and we knew there would be lots of water to challenge us.

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Well, we ran out of water but not until mid-afternoon. The tides are spectacular in the Bay of Fundy and this harbour drains completely twice every 24 hours. The painters managed to find lots of subjects, including water, and we had a productive day.

Britta at Work

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Aleda at Work

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John at Work

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Our critique was back at the studio. We looked at the Bees and the Birds separately again but it won’t be long before we start to mix them up.

Tuesday Critique - Bees

Tuesday Critique – Bees

Tuesday Critique - Birds

Tuesday Critique – Birds

Watercolour Painting on BC’s Sunshine Coast!

20/07/2015

Original watercolour by Barry Coombs  BLUE CHEESE

Have you planned your summer painting holiday yet? If not, join me for a week in beautiful British Columbia! I’ll be teaching a one week studio watercolour workshop at the Gibsons School of Art from August 17-21. Gibsons is a short drive and ferry ride away from Vancouver.

We’ll be working in the comfort of a bright and spacious studio. Participants will follow a traditional process leading to well-designed, vibrant paintings. The spectacular scenery will inspire our main watercolour project. A spirit of play and interpretation will be combined with a structured approach that draws upon memory and imagination as well as sketches and photo references. Drawing, value, composition and harmonious colour will be emphasized, as well as sound watercolour technique.

Lessons will be demonstrated and discussed clearly, making this workshop an exciting, enjoyable, and positive learning experience.

For full details, please click here.