Archive for the ‘Portugal 2017’ Category

Portugal 2017 – Cascais!

02/10/2017

Last Wednesday, we left Tavira and the Algarve and headed for the beautiful seaside town of Cascais. We had two more painting days on our itinerary and a free day at the very end of our stay. Cascais is very close to Lisbon and it’s airport.

I went back to basics on Thursday morning. I’d noticed that some of the students had been a bit tentative regarding their grasp of and commitment to light and shadow. Light and shadow is a fundamental concept of traditional representational art. It’s a very important step in order to simplify a subject. I’d drawn two subjects ahead of time and painted them in front of the group. The lighthouse was painted with a sepia wash and the palace was done with a combination of cool and warm (red and blue) colours.

I gave the students a lot of freedom to find their painting spots in Cascais. Our hotel backed on to a lovely park and the lighthouse and several palaces were very close by.

The famous Boca de Inferno (Mouth of Hell) was a short walk from our hotel.

The park was home to some lovely wild avian creatures as well as a number of chickens and roosters.

Rose-ringed Parakeet

European Robin

Mother hen and her brood

We had one more ‘regular’ end of day critique. If you click on a critique photo, you’ll be able to view a larger version of it.

Thursday Critique a

Thursday Critique b

Friday was a painting day and, once again, I allowed the students to wander and find their own painting spots. Cascais was very popular with the group. The sea, the amazing buildings and even the variety of public art on display throughout the town were all an inspiration.

Friday was our final scheduled painting day. Saturday would be a free day and several of the group took a tour to Sintra, a hilltown of palaces and castles. Still, Friday was a very important day. We met in our studio at 5pm for our Final Critique. This is quite a different experience from our daily critiques and is more like an exhibition. Each student selects three pieces, or sheets, of their work and presents them to the group. They talk about their selections and about their experience over our two weeks together. It’s a lot of fun and a great way to summarize our trip.

Here is the class of Portugal 2017 in alphabetical order.

Aleda

Barb

Barbara

Carolyn

Elizabeth

Evelyn

Frances

Ian

Judy

Leslie

Maria

Marlene

Nila

Renate

Valarie

Final Critique was followed by our Farewell Dinner. We held our Farewell Dinner one night early because of our early flight on Sunday morning. We were picked up at the inhumane hour of 4:30am but got to the airport in plenty of time and made it back to Canada tired but happy.

What a trip! The Portuguese are very friendly, English was widely spoken and we had nothing but sunshine for two weeks. Thanks for following, commenting and liking these posts.

 

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Portugal 2017 – Tavira!

29/09/2017

Our hotel was about a mile and a half outside of Tavira in the Ria Formosa nature reserve. The complex is a  restoration of a former tuna fishing camp.

Our first day here was a free day. The students painted on the grounds or took the shuttle into Tavira. We gathered in our studio at the end of the day to plan for the days ahead. Also, I gave a demonstration of pen and ink with watercolour. A few days back, in Redondo, I’d done a small watercolour of some worn walls. At the time, I’d planned to add pen to it and I did so in front of the group, discussing my ideas and decisions as I worked.

Many of the students enjoy combining watercolour with pen. Some use it primarily as a sketchbook approach and others create more sustained works.

On Sunday morning, we boarded our bus and drove to Estoi. We were the hosts of the pousada (hotel) in the stunning old palace of Estoi. We were allowed to paint on the grounds and many of us worked in the adjacent town, as well. Everyone got together at 1pm at the palace for a spectacular lunch.

Later in the day, a tired group boarded our bus for the half hour ride back to Tavira. The day wasn’t over until we’d had our critique.

Sunday Critique a

Sunday Critique b

Sunday Critique c

We stayed close to home and painted in Tavira on Monday. It’s a lovely town along a river which is spanned by the ancient Roman bridge.

Everyone we encountered was friendly and welcoming.

Another critique!

Monday Critique a

Monday Critique b

Our rooms in Tavira were decorated with prints of the watercolours of German artist, August Macke. The watercolours had been painted over one hundred years ago in Tunisia. At the time, Macke had been accompanied by Swiss artist Paul Klee and French artist Louis Moilliet. These Tunisian scenes were full of glowing white buildings and colour! Very similar to our surroundings in southern Portugal. I had prepared a demonstration ahead of time to share with the group. It’s a scene from Tavira and in it I’ve stressed simplification, colour and playfulness. Would it influence the students at all in the days to come?

We had another wonderful day trip destination on Tuesday; the clifftop, typical Algarve fishing village of Cacela Velha. It’s not very big but it’s quite charming and the views of the ocean and coastline are fabulous. Most of our artists settled in to paint in the village but some explored the beach below.

We had another tasty group lunch at the local restaurant and continued to paint until the end of the afternoon. It was a short hop back to our hotel and we held the critique right away. There was a great deal of work to savour.

Tuesday Critique a

Tuesday Critique b

Tuesday Critique c

While in Cacela Velha, I’d done a small watercolour using a 1/2″ flat angled brush. I showed it to the group and discussed simplification (again) and a few other ideas.

We had a great time in Tavira. There’s one more stop on our painting tour of Portugal. We moved to Cascais on Wednesday. Stay tuned for our exploits in Cascais and the final days of our trip. Thanks for commenting, liking and following!

Portugal 2017 – Mértola!

29/09/2017

Friday was a travel day. We were headed to Tavira, a town in the Algarve, from Évora. Enroute, we stopped for four hours in the scenic hilltop town of Mértola. There was lots of time to explore, sketch and relax over a nice lunch.

The big tour buses can’t make it very far into town because of the narrow streets. I’d arranged for a shuttle and it took us all the way up to the castle. The views from the walls were splendid.

As usual, shady spots were sought out for sketching.

Cafés were also a priority.

Wandering around turned up all kinds of interesting things.

Back to the bus! We had a little over an hour to go before arriving at our new hotel in Tavira. Stay tuned!

Portugal 2017 – Évora!

24/09/2017

Last Sunday, a tired bunch of artists arrived in beautiful Évora, a walled city in the Alentejo region of Portugal. Our hotel, with it’s backdrop of a Roman aqueduct and it’s inviting pool, was a welcome sight. Many of us explored the town for the afternoon before gathering for our Welcome Dinner at the hotel.

We met in our studio on Monday morning for some orientation and a demonstration. There are a lot of white buildings with colourful decorative features in Portugal. I hoped to prepare the students for our first few days.

Following the demo, we headed up to the area of town near the cathedral. There were lots of painting subjects and it wasn’t hard to find shady spots.

A few of us climbed to the top of the cathedral later in the day and were rewarded with splendid views.

Eventually, we all met back at the hotel for our first critique of the trip.

Monday Critique a

Monday Critique b

Monday Critique c

Three mini-buses with three charming and efficient drivers (Bruno, José and Ricardo) picked us up on Tuesday morning and we headed to the nearby hilltop village of Évoramonte. Upon arrival, we gathered in front of the old gate and took in the wraparound view. I gave a tour of the village, which was inside the old walls, with a castle towering over everything. Take your time and enjoy the photos from Évoramonte. I’ll see you at critique time.

As you’ve seen, it was a special day on top of the world. Our mini-buses were ready to go and we had our critique back at the hotel.

Tuesday Critique a

Tuesday Critique b

Tuesday Critique c

We painted in the Jardim Publico in Évora on Wednesday. I went ahead early to pick a shady spot for my demonstration so my easel would be ready to go when the group arrived. I painted a rather complicated subject as quickly as I could manage (about 40 minutes). My goal was to help the students simplify the things they were seeing, foliage in particular.

It was a lovely and peaceful day in the park. I think (hope) the demonstration helped some of the newer students with their grasp of foliage.

Wednesday Critique a

Wednesday Critique b

Redondo! The same drivers picked us up on Thursday morning. Redondo is a fairly large town and, like Évoramonte, has a village within the old castle walls at the very top of the hill. It was another spectacular painting site.

Quite a few of us visited the local potter. His work was very quaint, reminiscent of the work of Nova Scotia folk artist Maud Lewis.

The students have been producing a lot of work. The critique is always a great way to wrap up the day.

Thursday Critique a

Thursday Critique b

Our time in Évora has come to an end. Next stop, Tavira! Stay tuned!