Last Wednesday was a grim, dark and damp day. These colourful objects brightened up the studio at the Dundas Valley School of Art. Also, they were the perfect subject for our continuing exploration of soft-edge techniques.
Soft edges create gentle transitions across the planes of an object or surface. Success with these techniques requires thought and perseverance. It’s worth the investment in time and energy as soft edges are a key element of watercolour painting.
In class, the focus tends to be on finishing the painting before the end of the evening. That can backfire sometimes as not enough time is spent on practicing techniques on scrap paper or the backs of old paintings. I suggest that my students fill up sheets with ‘swatches’. For example, paint a 2 x 2″ shape in a light blue wash. While it’s still wet, touch in a darker blue wash in the bottom half of the swatch. A soft edge transition should result where the light and dark washes meet. Sounds simple? Try it. It’s hard to believe how many things can go wrong before you’ve spent hours and hours at it.
I’m going to continue to stress these ideas in the weeks ahead. Now, let’s have a look at the student work from Wednesday evening.
Tags: Barry Coombs, Canada, Dundas Valley School of Art, Ontario, still-life painting, Studio Classes, watercolor, watercolour demonstration, watercolour painting
04/11/2019 at 9:55 pm |
I like the soft edge instruction. Thanks, Sue McKee