Portugal 2017 – Tavira!

Our hotel was about a mile and a half outside of Tavira in the Ria Formosa nature reserve. The complex is a  restoration of a former tuna fishing camp.

Our first day here was a free day. The students painted on the grounds or took the shuttle into Tavira. We gathered in our studio at the end of the day to plan for the days ahead. Also, I gave a demonstration of pen and ink with watercolour. A few days back, in Redondo, I’d done a small watercolour of some worn walls. At the time, I’d planned to add pen to it and I did so in front of the group, discussing my ideas and decisions as I worked.

Many of the students enjoy combining watercolour with pen. Some use it primarily as a sketchbook approach and others create more sustained works.

On Sunday morning, we boarded our bus and drove to Estoi. We were the hosts of the pousada (hotel) in the stunning old palace of Estoi. We were allowed to paint on the grounds and many of us worked in the adjacent town, as well. Everyone got together at 1pm at the palace for a spectacular lunch.

Later in the day, a tired group boarded our bus for the half hour ride back to Tavira. The day wasn’t over until we’d had our critique.

Sunday Critique a

Sunday Critique b

Sunday Critique c

We stayed close to home and painted in Tavira on Monday. It’s a lovely town along a river which is spanned by the ancient Roman bridge.

Everyone we encountered was friendly and welcoming.

Another critique!

Monday Critique a

Monday Critique b

Our rooms in Tavira were decorated with prints of the watercolours of German artist, August Macke. The watercolours had been painted over one hundred years ago in Tunisia. At the time, Macke had been accompanied by Swiss artist Paul Klee and French artist Louis Moilliet. These Tunisian scenes were full of glowing white buildings and colour! Very similar to our surroundings in southern Portugal. I had prepared a demonstration ahead of time to share with the group. It’s a scene from Tavira and in it I’ve stressed simplification, colour and playfulness. Would it influence the students at all in the days to come?

We had another wonderful day trip destination on Tuesday; the clifftop, typical Algarve fishing village of Cacela Velha. It’s not very big but it’s quite charming and the views of the ocean and coastline are fabulous. Most of our artists settled in to paint in the village but some explored the beach below.

We had another tasty group lunch at the local restaurant and continued to paint until the end of the afternoon. It was a short hop back to our hotel and we held the critique right away. There was a great deal of work to savour.

Tuesday Critique a

Tuesday Critique b

Tuesday Critique c

While in Cacela Velha, I’d done a small watercolour using a 1/2″ flat angled brush. I showed it to the group and discussed simplification (again) and a few other ideas.

We had a great time in Tavira. There’s one more stop on our painting tour of Portugal. We moved to Cascais on Wednesday. Stay tuned for our exploits in Cascais and the final days of our trip. Thanks for commenting, liking and following!

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2 Responses to “Portugal 2017 – Tavira!”

  1. Joanne Ross Says:

    Wow! What an amazing collection of paintings and sketches! They represent a lot of work by all members of the trip. Barry, it looks like you have outdone yourself in arranging another beautiful trip!

  2. Lois Says:

    Wishing I was with!! Everything is so Beautiful and Colorful, I would have to be there forever deciding what to Paint. The Groups, Art is so nice to look at, they do a Great Job, and Barry, Thanks for Sharing, love your Pen and ink, watercolor, and simplification.
    Loved my Tour! Thanks Lois

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